The Impact of Advertising Creativity on the Hierarchy of Effects
By Robert E. Smith, Jiemiao Chen, Xiaojing Yang. 2008
306 citations recorded by the source corpus.
Subfields: Applied Psychology, Marketing, Sociology and Political Science
View Paper: https://www.semanticscholar.org/paper/9651f023a98ad385b9e607f659a999891fd92b5a
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Applied Psychology
- Paulo Rita
- Bernardo Vala
- Rick T. Wilson
- Daniel W. Baack
- Sérgio Moro
- Martin Eisend
- S. Rosengren
- B. Till
In Marketing
- Rick T. Wilson
- B. Till
- Daniel W. Baack
- Micael Dahlen
- José Miguel Ospina
- Kevin Lehnert
- Scott Koslow
- S. Rosengren
In Sociology and Political Science
- Scott Koslow
- Sajeev Varki
- Christy Ashley
- En Mao
- Paulo Rita
- Bernardo Vala
- Rick T. Wilson
- Daniel W. Baack
Citations in the corpus
- Advertising Creativity: The Role of Divergence Versus Meaningfulness (2014, background): “Within creativity research, meaningfulness itself has been referred to with different terms including involvement (Smith et al. 2007); relevance (Smith, Chen, and Yang 2008), and connectedness (Ang and Low 2000).”
- Predicting social media performance metrics and evaluation of the impact on brand building: A data mining approach (2016, methodology): “Social media impact on branding. defining the branding stages, we adapted themodel described by Smith et al. (2008).”
- The Differential Effect of Ad Novelty and Message Usefulness on Brand Judgments (2011, background): “This representation of advertising creativity in the form of execution novelty and message usefulness has received considerable support in the advertising literature (Ang and Low 2000; Smith and Yang 2004; Smith, Chen, and Yang 2008; Smith et al. 2007).”
- A Meta-Analysis of When and How Advertising Creativity Works (2020, methodology): “Originality has positive effects on consumer responses to advertising, as originality makes advertising more likely to be attended and processed (Pieters, Warlop, and Wedel 2002; Smith, Chen, and Yang 2008).”
- Creativity, attention and the memory for brands: an outdoor advertising field study (2015, methodology): “Smith et al. (2007, 2008) describe an ad with artistic value as an ad that is visually distinctive, able to make ideas come to life graphically, and artistically produced.”
- From Online Motivations to Ad Clicks and to Behavioral Intentions: An Empirical Study of Consumer Response to Social Media Advertising (2016, background): “…the existence (Goodrich, 2011) or sequence (Kunda, 1990) of the hierarchy of effects, the model remains its significance in understanding the advertising effect (Barry, 2002; Smith et al., 2008) and other promotional activities (e.g., product placements, Balasubramanian, Karrh, & Patwardhan, 2006).”