Effects of typographic factors in advertising‐based persuasion: A general model and initial empirical tests
By Michael S. Mccarthy, David L. Mothersbaugh. 2002
143 citations recorded by the source corpus.
Subfields: Experimental and Cognitive Psychology, Marketing, Human-Computer Interaction
View Paper: https://www.semanticscholar.org/paper/69951126d116ebd9d67e562c70a432b6aaf0b289
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In Experimental and Cognitive Psychology
In Marketing
- Paul A. Bottomley
- John R. Doyle
- Benedikt Schnurr
- Roland Schroll
- Dhruv Grewal
- Robin A. Coulter
- Stephanie Q. Liu
- Huiling Huang
In Human-Computer Interaction
Citations in the corpus
- Humanizing Products with Handwritten Typefaces (2018, background): “McCarthy and Mothersbaugh (2002) Effects of typeface characteristics on persuasion Serif fonts improve legibility for smaller typefaces but only for faster readers.”
- Dressed for the Occasion: Font-Product Congruity in the Perception of Logotype (2006, background): “According to McCarthy and Mothersbaugh (2002), the semantic associations of a typeface are the connotations that consumers derive from the text that go beyond the”
- BANNER ADVERTISER-WEB SITE CONTEXT CONGRUITY AND COLOR EFFECTS ON ATTENTION AND ATTITUDES (2005, background): “Consistent with recent theorizing concerning the effects of typographic factors in advertising (McCarthy and Mothersbaugh 2002), we anticipated that highly contrasting background banner and text letter colors, such as a red background and white letters, would draw greater attention to the…”