Cross-cultural perspectives on creativity.
By Todd Lubart. 2010
137 citations recorded by the source corpus.
Subfields: Experimental and Cognitive Psychology, Social Psychology
View Paper: https://www.semanticscholar.org/paper/f297d1aa30b1730538646e25a5287f5e9adcbb82
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Experimental and Cognitive Psychology
- Jeffrey Loewenstein
- Jennifer S. Mueller
- Q. Maire
- Esther Doecke
- Robert J. Sternberg
- James C. Kaufman
- Anatoliy V. Kharkhurin
- R. Beghetto
In Social Psychology
- Jeffrey Loewenstein
- Jennifer S. Mueller
- Q. Maire
- Esther Doecke
- Robert J. Sternberg
- Yu-sien Lin
- James C. Kaufman
- R. Beghetto
Citations in the corpus
- The Assessment of Creativity: An Investment-Based Approach (2012, background): “Different cultures support creativity differentially and may even have different conceptions of what constitutes creativity (Lubart, 2010) so it is important to take the environment into account when assessing creativity.”
- Key skills for the 21st century: An evidence-based review (2017, background): “Some of these approaches highlight the importance of social and cultural contexts for creativity (Lubart, 2010) and the context specificity of creativity even within a given domain (e.”
- Implicit Theories of Creative Ideas: How Culture Guides Creativity Assessments (2016, background): “, 2011; Harrington & Gelfand, 2014) and vertical–horizontal–individualism–collectivism (Triandis & Gelfand, 1998) as past research has indicated they might explain why Chinese and Americans differ in creativity assessments (Kwang, 2005; Lubart, 2010).”