Teaching creatively and teaching for creativity: distinctions and relationships
By Bob Jeffrey *, Anna Craft. 2004
580 citations recorded by the source corpus.
Subfields: Experimental and Cognitive Psychology, Music, Visual Arts and Performing Arts
View Paper: https://www.semanticscholar.org/paper/e2b63245a01393c28bad9cc8ea7363e403126ae9
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Experimental and Cognitive Psychology
- T. Cremin
- Yu-sien Lin
- Anna Craft
- P. Burnard
- Hana Lev-Zamir
- Kerry Chappell
- Lauren Christophers
- Brendan Rooney
In Music
In Visual Arts and Performing Arts
- T. Cremin
- Yu-sien Lin
- P. Burnard
- Punya Mishra
- Anna Craft
- R. Leikin
- Carmen C. Richardson
- Betty Anne Younker
Citations in the corpus
- Pedagogy and Possibility Thinking in the Early Years (2006, methodology): “A further element of teaching to enhance children’s creative thinking or behaviour is proposed by Jeffrey and Craft (2004).”
- Developing creativity in higher education for 21st century learners: A protocol for a scoping review (2017, background): “Efforts to identifying approaches that will enhance student’s levels of creativity have been made (e.g., Jeffrey & Craft, 2004, Loveless, Burton, & Turvey, 2006) however, as of yet there has been no one method espoused for its effectiveness in increasing students’ levels of creativity in higher…”
- Learning environments that support student creativity: Developing the SCALE (2018, background): “Other relevant learning experiences might involve passion, inquiry (Jeffrey & Craft, 2004), or in other ways encourage multiple ways of knowing and modes of investigation (Robinson & Kakela, 2006).”
- Creative mathematics teaching in the eye of the beholder: focusing on teachers' conceptions (2011, background): “The complexity of the relationship between teacher-directed and student-directed creativity is reflected in Jeffrey and Craft (2004), who suggest that the interplay between creative teaching and teaching for creativity renders it difficult to treat these facets separately.”
- Possibility thinking: culminative studies of an evidence-based concept driving creativity? (2013, unknown): “Working with Jeffrey's data, Craft and Jeffrey further suggested that it involves not only solving problems, but also finding and honing them (Jeffrey 2006 ; Jeffrey and Craft 2004 , 2006).”
- Fostering Creativity through Education – A Conceptual Framework of Creative Pedagogy (2011, background): “For the features of creative teaching, such as imaginative, dynamic, and innovative approaches (Jeffrey & Craft, 2004), often inspire children’s imagination and new ideas and lead directly to teaching for creativity.”
- Question‐posing and question‐responding: the heart of ‘Possibility Thinking’ in the early years (2008, background): “It involves the shift from asking ‘What is this and what does it do?’ to ‘What can I do with this?’, particularly in relation to identifying, honing and solving problems (Jeffrey and Craft 2004 ; Jeffrey 2005 ).”