Modeling the Creative Process: A Grounded Theory Analysis of Creativity in the Domain of Art Making

By Mary-Anne Mace, Tony Ward. 2002

228 citations recorded by the source corpus.

Subfields: Experimental and Cognitive Psychology, Mechanical Engineering, Visual Arts and Performing Arts

View Paper: https://www.semanticscholar.org/paper/b8671ce07a2505cc1cb599fe101d7a86a258dfb9

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Experimental and Cognitive Psychology

1. Richard T. Marcy
2. Michael D. Mumford
3. Jeou-Shyan Horng
4. Siow-Kian Tan
5. Ding-Bang Luh
6. S. Kung
7. V. Glăveanu
8. Mengjia Hu

In Mechanical Engineering

1. Richard T. Marcy
2. Jeou-Shyan Horng
3. Michael D. Mumford
4. V. Glăveanu
5. Mengjia Hu
6. Justin M. Berg
7. Christina E. Shalley
8. Samuel T. Hunter

In Visual Arts and Performing Arts

1. Michael D. Mumford
2. V. Glăveanu

Citations in the corpus

• A Sociocultural Theory of Creativity: Bridging the Social, the Material, and the Psychological (2020, background): “Creative people, especially artists, would often talk about their work as being in dialogue with tools and materials and, oftentimes, being led by them in the process (Mace & Ward, 2002).”
• Social Innovation: Enhancing Creative Performance Through Causal Analysis (2007, background): “For example, studies have been conducted examining creative thought in the visual arts (e.g., Dudeck & Cote, 1994; Mace & Ward, 2002), writing (e.g., Kaufman, 2002; Lubart, 2001), the entertainment industry (e.g., Rich & Weisburg, 2004; Simonton, 2004), engineering (e.g., Henderson, 2004; Weber &…”
• A MODEL OF ‘CREATIVE EXPERIENCE’ IN CREATIVE TOURISM (2013, background): “For example, how artists develop their artworks (Mace & Ward, 2002), the development of measurements of artistic creativity (Nelson & Rawlings, 2009), or the creative process of designing new products or new activities.”
• The Creative Process (2005, unknown): “Mace and Ward (2002) proposed a specific model of the artistic process based on interviews with professional artists; it is a dynamic model in four stages.”
• The Mystery in the Kitchen: Culinary Creativity (2008, background): “There was also a fair degree of emphasis on what Mace and Ward (2002) called the shelving or abandoning of an idea, or even of an artwork (dish), at its initial stage of completion; the possibility of later ‘‘recycling’’ was stressed by several of our artists.”