Neural correlates of beauty.
By Hideaki Kawabata, Semir Zeki. Journal of Neurophysiology, 2004
806 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology
View Paper: https://www.semanticscholar.org/paper/f73529042aa16f9a5735cfd2d0c4e6552e1af3cc
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- M. Reimann
- J. Zaichkowsky
- Brian Knutson
- Semir Zeki
- Bernd Weber
- Elvira Brattico
- Marcus T. Pearce
- Andreas M. Bartels
In Experimental and Cognitive Psychology
- Elvira Brattico
- Marcus T. Pearce
- Morten Moshagen
- Meinald T. Thielsch
- Anjan Chatterjee
- Bernd Weber
- M. Reimann
- J. Zaichkowsky
Citations in the corpus
- Functional magnetic resonance imaging of reward prediction (2005, background): “One such study reported that attractive versus unattractive art activated OFC, MPFC, and visual areas [ 37 ], but a second found that attractive versus unattractive art activated right medial caudate, left cingulate, bilateral fusiform, and visual regions [38].”
- The neuroaesthetics of music. (2013, methodology): “Activation in orbitofrontal cortex has been found in tasks involving judging the beauty of paintings (Kawabata & Zeki, 2004), black-white abstract shapes (Jacobsen et al., 2006), and faces (Aharon et al., 2001).”
- Neurons in the Frontal Lobe Encode the Value of Multiple Decision Variables (2009, neutral): “... Watanabe, 2000; Tremblay & Schultz, 1999; Schoenbaum, Chiba, & Gallagher, 1998; Watanabe, 1996), proximity to reward delivery (Ichihara-Takeda & Funahashi, 2007; Roesch et al., 2006; Roesch & Olson, 2005; McClure, Laibson, Loewenstein, & Cohen, 2004), outcome likelihood (Matsumoto, Matsumoto, Ab”
- Aesthetic package design: A behavioral, neural, and psychological investigation (2010, positive): “Nadal et al. (2008) proposed that increased activation in the motor cortex could represent reward magnitude of ugly stimuli or the motor readiness elicited by them (Kawabata & Zeki, 2004).”
- Neuroaesthetics: A Coming of Age Story (2011, background): “In addition, emotional responses to these stimuli activate orbito-frontal ( Jacobsen et al., 2005; Kawabata & Zeki, 2004) as well as anterior cingulate cortices (de Tommaso, Sardaro, & Livrea, 2008; Kawabata & Zeki, 2004; Vartanian & Goel, 2004).”
- Modulation of aesthetic value by semantic context: An fMRI study (2009, positive): “, 2006) and vision (Aharon et al., 2001; Kawabata and Zeki, 2004; O'Doherty et al., 2003b; Vartanian and Goel, 2004) as well as for more abstract rewards such as money (Elliott et al.”
- The neural correlates of maternal and romantic love (2004, background): “The lateral orbitofrontal cortex is activated with pleasant visual, tactile and olfactory stimuli, with its response depending on pleasantness rather than intensity of stimulation (Francis et al., 1999; Kawabata and Zeki, 2004; Rolls et al., 2003).”
- Processing of social and monetary rewards in the human striatum. (2008, background): “, 2001), maternal and romantic love (Bartels and Zeki, 2004), emotionally positive words (Hamann and Mao, 2002), beautiful paintings (Kawabata and Zeki, 2004), and pleasant music (Blood and Zatorre, 2001; Blood et al.”
- A visual analytics approach to understanding cycling behaviour (2012, neutral): “The modeb and modeh declarations also specify what is considered to be an input variable , an output variable , a constant , and an upper bound on how many times the predicate it specifies can appear in the same clause, called recall .”
- Brain correlates of aesthetic judgment of beauty (2006, neutral): “…have investigated effects of attractiveness and preference by presenting faces (Aharon et al., 2001; Kampe et al., 2002; O’Doherty et al., 2003) or works of art (Kawabata and Zeki, 2004; Vartanian and Goel, 2004) and yielded evidence for a role of reward-related subcortical and limbic areas.”
- Facets of visual aesthetics (2010, methodology): “…not a single item refers to colors, although the importance of colors is well recognized in empirical aesthetics in general (Arnheim, 1974; Kawabata and Zeki, 2004; Martindale and Moore, 1988; Ramachandran and Hirstein, 1999) and in human–computer interaction in particular (e.g., Cyr et…”