Elvira Brattico
Cognitive Neuroscience · 2001–2013
A researcher in the Science corpus: 3 papers; trusts 22 researchers and is trusted by 0 researchers here, as inferred from the citation graph.
Subfields
- Cognitive Neuroscience — 50 citations into it
- Experimental and Cognitive Psychology — 23 citations into it
- Social Psychology — 15 citations into it
- Signal Processing — 12 citations into it
- Music — 11 citations into it
Whom Elvira Brattico trusts overall
Their strongest outbound trust, strongest first, inferred from their citations.
- John A. Sloboda
- Thomas Jacobsen
- Patrik Juslin
- U. Schimmack
- Louis A. Schmidt
- Hideaki Kawabata
- Helmut Leder
- Itzhak Aharon
- Stefan Koelsch
- William Forde Thompson
Papers from Elvira Brattico's perspective
Ordered by how strongly the researchers Elvira Brattico trusts endorse each paper. Same corpus, a different order for every researcher.
- Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion (Proceedings of the National Academy of Sciences of the United States of America)
- Emotion and Meaning in Music
- Emotions evoked by the sound of music: characterization, classification, and measurement. (Emotion)
- Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening
- A model of aesthetic appreciation and aesthetic judgments. (British Journal of Psychology)
- The role of music in adolescents' mood regulation
- Processing Fluency and Aesthetic Pleasure: Is Beauty in the Perceiver's Processing Experience? (Personality and Social Psychology Review)
- Frontal brain electrical activity (EEG) distinguishes valence and intensity of musical emotions
- Aesthetic Chills as a Universal Marker of Openness to Experience
- Investigating emotion with music: An fMRI study (Human Brain Mapping)
Their papers
- The neuroaesthetics of music. (2013) — 211 citations
- Aesthetic responses to music: A questionnaire study (2009) — 88 citations
- Context Effects on Pitch Perception in Musicians and Nonmusicians: Evidence from Event-Related-Potential Recordings (2001) — 103 citations