Communication of emotions in vocal expression and music performance: different channels, same code?

By Patrik Juslin, Petri Laukka. Psychological bulletin, 2003

1,803 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Developmental Biology, Signal Processing

View Paper: https://www.semanticscholar.org/paper/eca56407506a27d7a7ccac7e1499f608340b2328

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Citations in the corpus

Emotional Responses to Music: Interactive Effects of Mode, Texture, and Tempo (2005, background): “Indeed, a metaanalysis of studies examining the communication of emotion through both musical performance and vocal expression suggested that these channels of emotion may use a common set of acoustical cues ( Juslin & Laukka, 2003 ).”
Joint music making promotes prosocial behavior in 4-year-old children☆☆☆ (2010, background): “…in our Musical condition, for example, may have, among other effects, simply induced a positive mood in each listener (Thompson, Schellenberg, & Husain, 2001), by means of psychological mechanisms that originally evolved for the vocal communication of emotions in general (Juslin & Laukka, 2003).”
The Geneva Minimalistic Acoustic Parameter Set (GeMAPS) for Voice Research and Affective Computing (2016, neutral): “, [2], [9], [15], [16], [17], [18], [19]), in this article the authors present a recommendation for a minimalistic standard parameter set for the acoustic analysis of speech and other vocal sounds.”
Contempt: Derogating Others While Keeping Calm (2016, background): “In student settings, for example, those who displayed contempt were judged to be of higher status (Keltner, Young, Heerey, Oemig, & Monarch, 1998).”
In a Nervous Voice: Acoustic Analysis and Perception of Anxiety in Social Phobics’ Speech (2008, background): “Empirical evidence from research on posed expressions strongly suggests that specific emotions are associated with characteristic patterns of voice cues ( Juslin and Laukka 2003 ).”
Seeing music performance: Visual inﬂuences on perception and experience (2005, background): “2004) and many acoustic cues observed in music are also observed in speech (Balkwill and Thompson n.d.; Ilie and Thompson, in press; Juslin and Laukka 2003; Thompson et al. 2004).”
Visual Perception of Expressiveness in Musicians' Body Movements (2007, background): “Bearing in mind that music also is a form of communication and that speech and music have many properties in common (see e.g., Juslin & Laukka, 2003), it is plausible that a similar concept applies to musical communication as well.”
The role of intonation in emotional expressions (2005, background): “Empirical studies on the contribution of intonation to the communication of emotion A large number of studies have investigated vocal correlates of emotional expressions (for recent reviews see Juslin and Laukka, 2003; and Scherer, 2003).”
The Role of Perceived Voice and Speech Characteristics in Vocal Emotion Communication (2014, background): “…spectral energy distribution have become more readily available (see Juslin and Scherer 2005), there is now a body of studies demonstrating that individual emotions can be characterized by configurations of acoustic cues (see reviews by Juslin and Laukka 2003; Patel and Scherer 2013; Scherer 2003).”
What makes music emotionally significant? Exploring the underlying mechanisms (2014, methodology): “In the present study, a contagion reaction was produced by featuring an expressive, voice-like cello timbre within a sad emotional expression (Juslin & Laukka, 2003, pp. 792–995).”
Experimental evidence of the roles of music choice, social context, and listener personality in emotional reactions to music (2013, background): “Musical features that are involved in the expression and perception of emotions have been mapped in previous work (Juslin, 2009; Juslin & Laukka, 2003), but the features that arouse emotions in listeners are less understood.”
Using music to induce emotions: Influences of musical preference and absorption (2008, background): “Profiles of performance measures related to the same set of emotions in speech and music were found to be highly similar (Juslin and Laukka, 2003).”
Analysis of Emotionally Salient Aspects of Fundamental Frequency for Emotion Detection (2009, neutral): “across 104 studies on vocal expression [8].”