Emotional Responses to Music: Interactive Effects of Mode, Texture, and Tempo

By Gregory D. Webster, C. Weir. 2005

211 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Music

View Paper: https://www.semanticscholar.org/paper/2400921781bb55b9bb1db9537d6c65ef38f3ae56

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Marjolein D. van der Zwaag
2. Joyce H. D. M. Westerink
3. G. Kreutz
4. Andreas Herrmann
5. Ulrich Ott
6. Jan R. Landwehr
7. Eric R. Spangenberg
8. E. L. van den Broek

In Experimental and Cognitive Psychology

1. Marjolein D. van der Zwaag
2. Joyce H. D. M. Westerink
3. G. Kreutz
4. Andreas Herrmann
5. Ulrich Ott
6. Jan R. Landwehr
7. Eric R. Spangenberg
8. E. L. van den Broek

Citations in the corpus

• It is all in the mix: The interactive effect of music tempo and mode on in-store sales (2012, background): “Past theoretical discussion (Bruner 1990) as well as empirical research across the disciplines of marketing (Kellaris and Kent 1991), psychology (Webster and Weir 2005), and music (Husain et al.”
• Emotional and psychophysiological responses to tempo, mode, and percussiveness (2011, background): “Slow tempos are associated with low-arousal sad music, while fast tempos are associated with high-arousal happy music (Schellenberg, Krysciak, & Campbell, 2000; Webster & Weir, 2005).”
• Using music to induce emotions: Influences of musical preference and absorption (2008, background): “, 2002; Sloboda and Lehmann, 2001) or composed for experimental purposes (Dalla Bella et al., 2001; Hevner, 1935; Peretz et al., 1998; Scherer and Oshinsky, 1977; Webster and Weir, 2005).”