Using music to induce emotions: Influences of musical preference and absorption

By G. Kreutz, Ulrich Ott, D. Teichmann, Patrick Osawa, Dieter Vaitl. 2008

275 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Signal Processing

View Paper: https://www.semanticscholar.org/paper/e2b90b68c0e7cb2b31459fccee4c647295d8c0d5

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In Cognitive Neuroscience

In Experimental and Cognitive Psychology

In Signal Processing

Citations in the corpus

A comparison of the discrete and dimensional models of emotion in music (2011, background): “These initial observations are potentially interesting and are known to influence emotional evaluations (Kreutz et al., 2008; Rusting, 1998), but the figures indicate that their role is only moderate at best, and thus these factors will be left unexplored at this stage.”
Moved by music: A typology of music listeners (2011, result): “Our uncovering of a group of High-Involved listeners who are moved by music more than other people corroborates earlier findings on the link between liking music very much, being easily absorbed by it, and the depth of emotions induced by listening to it (Kreutz et al., 2008).”
Current Emotion Research in Music Psychology (2015, background): “…(Ladinig & Schellenberg, 2012; Vuoskoski, Thompson, McIlwain, & Eerola, 2012) are particularly likely to enjoy sad sounding music, as are introverts (Ladinig & Schellenberg, 2012), and people who score high on a measure of “absorption” (Garrido & Schubert, 2011, 2013a; Kreutz et al., 2008).”
Aesthetic responses to music: A questionnaire study (2009, background): “Interestingly, the study revealed that the choice of appropriate emotion terms is not only affected by the difference between perceived and felt emotions, but also by musical genre preference (similar results were obtained by Kreutz et al., 2008).”
Music May Reduce Loneliness and Act as Social Surrogate for a Friend: Evidence from an Experimental Listening Study (2020, background): “The music was selected by the participants during the listening period since familiar musical pieces are more likely to act as social surrogates and usually elicit stronger mood states than pre-selected, unfamiliar ones (Kreutz et al., 2008).”