Experimental evidence of the roles of music choice, social context, and listener personality in emotional reactions to music
By Simon Liljeström, Patrik Juslin, Daniel Västfjäll. 2013
162 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Music, Signal Processing
View Paper: https://www.semanticscholar.org/paper/da0e961d99725f9e846e60a0f30802793c8cd798
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Swathi Swaminathan
- Jochen Steffens
- E. G. Schellenberg
- Amanda E. Krause
- W. Schlotz
- Lauren Y. Hewitt
- Adrian C. North
- Fabian Greb
In Music
- Jochen Steffens
- E. G. Schellenberg
- Amanda E. Krause
- W. Schlotz
- Lauren Y. Hewitt
- Adrian C. North
- Swathi Swaminathan
- Fabian Greb
In Signal Processing
Citations in the corpus
- Current Emotion Research in Music Psychology (2015, background): “Listening to music with a close friend rather than listening alone is associated with more intense and positive emotional responses, whereas pieces self-selected by participants give rise to more intense emotional experiences than unfamiliar pieces do (Liljeström et al., 2013).”
- Personal and situational influences on the functions of music listening (2018, background): “Studies that tackle this question have consistently found that nowadays, music listening takes place predominantly at home, while driving, or while using public transport (Greasley & Lamont, 2011; Krause, North, & Hewitt, 2014b; North et al., 2004). With regard to the influence of location on the fu”
- Music-listening in everyday life: Devices and choice (2015, background): “…that people used MP3 players to maintain their well-being, consciously exerting a great degree of control to make the situation more tolerable; and Liljeström, Juslin, and Västfjäll (2012) argued that self-selected music was conducive to experiencing positive emotions because it offered a greater…”