Visual Perception of Expressiveness in Musicians' Body Movements

By S. Dahl, A. Friberg. 2007

346 citations recorded by the source corpus.

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

Methodology for Assessing Bodily Expression of Emotion (2010, background): “The emotional intents of dancers’ and musicians’ movements during expressive performances have been successfully decoded (Boone and Cunningham 1998; Dahl and Friberg 2007; Dittrich et al. 1996).”
Affective Body Expression Perception and Recognition: A Survey (2013, background): “For example, from Table 2 we can see that sadness and shame are both characterized by slow, low energy movements [27], [96], [97], [101].”
Exploring relationships between pianists’ body movements, their expressive intentions, and structural elements of the music (2012, methodology): “…been found that body movements can influence one’s interest in the performance (Broughton & Stevens, 2009), provide cues to discriminate between specific emotional intentions (Dahl & Friberg, 2007) and affect the perceived duration of notes performed by a percussionist (Schutz & Lipscomb, 2007).”
Audiovisual integration of emotional signals from music improvisation does not depend on temporal correspondence. (2010, background): “…2001), and much more recently an interest in how the musician's body movement alone can affect the perceived emotion (Laukka and Gabrielsson, 2000; Dahl and Friberg, 2007; Castellano et al., 2008; Davidson, 1993, 1994), so far little interest has been shown in the multimodal affective aspects of…”