Tuomas Eerola

Cognitive Neuroscience · 2006–2020

A researcher in the Science corpus: 17 papers; trusts 76 researchers and is trusted by 12 researchers here, as inferred from the citation graph.

Subfields

• Cognitive Neuroscience — 147 citations into it; #2,350 of 10,852 by trust here, #3,227 by citations
• Signal Processing — 73 citations into it; #3,008 of 7,572 by trust here, #2,525 by citations
• Social Psychology — 68 citations into it; #10,041 of 15,694 by trust here, #11,369 by citations
• Experimental and Cognitive Psychology — 67 citations into it; #3,896 of 9,731 by trust here, #4,576 by citations
• Music — 55 citations into it; #99 of 281 by trust here, #76 by citations
• Computer Vision and Pattern Recognition — 21 citations into it; #19,293 of 21,575 by trust here, #17,258 by citations
• Clinical Psychology — 16 citations into it
• Literature and Literary Theory — 13 citations into it

Whom Tuomas Eerola trusts overall

Their strongest outbound trust, strongest first, inferred from their citations.

1. Patrik Juslin
2. Klaus R. Scherer
3. Emery Schubert
4. U. Schimmack
5. Jonna Vuoskoski
6. S. Vieillard
7. M. Zentner
8. James Russell
9. Margaret M. Bradley
10. Tao Li

Who trusts Tuomas Eerola overall

1. Jonna Vuoskoski
2. Imre Lahdelma
3. Patrik Juslin
4. Marjolein D. van der Zwaag
5. Diana Boer
6. Joyce H. D. M. Westerink
7. Swathi Swaminathan
8. Ronald Fischer
9. A. Lamont
10. Elvira Brattico

Papers from Tuomas Eerola's perspective

Ordered by how strongly the researchers Tuomas Eerola trusts endorse each paper. Same corpus, a different order for every researcher.

1. Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion (Proceedings of the National Academy of Sciences of the United States of America)
2. EMOTIONAL EFFECTS OF MUSIC: PRODUCTION RULES
3. Communicating emotion in music performance: A review and a theoretical framework
4. Emotion perceived and emotion felt: Same or different?
5. Frontal brain electrical activity (EEG) distinguishes valence and intensity of musical emotions
6. Emotions in strong experiences with music.
7. Emotions in everyday listening to music.
8. Emotion and Meaning in Music
9. The role of music in adolescents' mood regulation
10. Emotions evoked by the sound of music: characterization, classification, and measurement. (Emotion)

Their papers

• Can sad music really make you sad? Indirect measures of affective states induced by music and autobiographical memories. (2012) — 212 citations
• Music May Reduce Loneliness and Act as Social Surrogate for a Friend: Evidence from an Experimental Listening Study (2020) — 87 citations
• How listening to music and engagement with other media provide a sense of belonging: An exploratory study of social surrogacy (2018) — 91 citations
• Single chords convey distinct emotional qualities to both naïve and expert listeners (2016) — 92 citations
• Extramusical information contributes to emotions induced by music (2015) — 104 citations
• What makes music emotionally significant? Exploring the underlying mechanisms (2014) — 173 citations
• A Review of Music and Emotion Studies: Approaches, Emotion Models, and Stimuli (2013) — 367 citations
• Strong Experiences with Music: Music Is Much More Than Just Music (2013) — 119 citations
• Who enjoys listening to sad music and why (2012) — 313 citations
• Timbre and Affect Dimensions: Evidence from Affect and Similarity Ratings and Acoustic Correlates of Isolated Instrument Sounds (2012) — 109 citations
• Formulating a Revised Taxonomy for Modes of Listening (2012) — 95 citations
• Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres (2011) — 100 citations
• A comparison of the discrete and dimensional models of emotion in music (2011) — 694 citations
• Measuring music-induced emotion (2011) — 122 citations
• Self-report measures and models (2011) — 113 citations
• A Matlab Toolbox for Music Information Retrieval (2007) — 461 citations
• Perceived complexity of western and African folk melodies by western and African listeners (2006) — 95 citations