Does music induce emotion? A theoretical and methodological analysis.

By V. Konečni. 2008

214 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Literature and Literary Theory

View Paper: https://www.semanticscholar.org/paper/76512b5c985d21a76288ea87fbd6db1087a8b3e5

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In Cognitive Neuroscience

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Citations in the corpus

On personality and piloerection: Individual differences in aesthetic chills and other unusual aesthetic experiences. (2011, background): “…such a motley band of experiences: they don't have much in common except that they aren't simple preferences or discrete emotions ( Konečni, 2005, Konečni, 2008), they seem to be common responses to music ( Grewe, Kopiez, & Altenmüller, 2009), and they are often part of powerful aesthetic…”
Feelings and Perceptions of Happiness and Sadness Induced by Music: Similarities, Differences, and Mixed Emotions (2010, background): “, a happy-sounding song associated with a break-up with a former lover) could evoke an unrelated or opposite feeling to that expressed by the music (Konečni, 2008).”
Music as an emotion regulation strategy: An examination of genres of music and their roles in emotion regulation (2019, background): “Many of these studies suggest that sad music may increase pleasure not only through emotion regulation, but through the aesthetic context of the stimulus (Konečni, 2008, Sachs, Damasio, & Habibi, 2015; Van Den Tol & Edwards, 2014; Vuoskoski & Thompson, 2012; White & Rickard, 2015).”
Measuring music-induced emotion (2011, background): “…has been quite equally divided between perceived and felt emotions over the past 20 years (Eerola & Vuoskoski, submitted), there is continuing controversy over what kind of emotions music can actually induce in the listener (see, e.g., Juslin & Västfjäll, 2008; Konečni, 2008; Scherer, 2004).”
Current Emotion Research in Music Psychology (2015, background): “An extreme position (the cognitivist view) is that music does not actually induce emotions (e.g., Kivy, 1990; Konečni, 2008a; Meyer, 1956).”
Emotional and psychophysiological responses to tempo, mode, and percussiveness (2011, background): “In order to acquire this we need to overcome methodological shortcomings (e.g., recognizing the difference between emotions and mood) in study designs that now support either position (Konečni, 2008; Scherer, 2004).”
Emotional Responses to Multisensory Environmental Stimuli (2016, background): “Although it was found that for instance music-induced experienced emotions and perceived emotions in response to happy and sad music are highly correlated, it is not clear whether this also holds for emotions induced by stimuli originating from other sensory domains (Konecni, 2008; Scherer, 2004; Ze”
Store Atmospherics: A Multisensory Perspective (2014, background): “Most of these studies predict that the auditory atmosphere will affect a consumer’s level of stimulation, mood (e.g., Alpert & Alpert, 1990), and emotions (Koneˇcni, 2008), such that shoppers spend more time in environments that they ﬁnd pleasant or where time appears to pass more slowly.”
Aesthetic responses to music: A questionnaire study (2009, background): “From a more psychological point of view, however, the role of emotions, especially the role of so-called everyday emotions in music (Juslin & Västfjäll 2008; Kivy, 1999; Scherer & Zentner, 2008) and their relation to aesthetic responses (Konec ̌ ni, 2008) is being debated.”