Aesthetic responses to music: A questionnaire study
By Eva Istók, Elvira Brattico, Thomas Jacobsen, Kaisu I. Krohn, Mira Müller, Mari Tervaniemi. 2009
88 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology
View Paper: https://www.semanticscholar.org/paper/5b09e707b50cd9f68725a3a0400508238b89f67f
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Elvira Brattico
- Patrik Juslin
- Marcus T. Pearce
- Petri Laukka
- Tuomas Eerola
- A. Lamont
- Daniel Västfjäll
- Simon Liljeström
In Experimental and Cognitive Psychology
Citations in the corpus
- From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions. (2013, background): “‘Beauty’ was also a primary factor in a survey study of verbal associations to music (Istok et al., 2009).”
- Next steps in neuroaesthetics: Which processes and processing stages to study? (2013, unknown): “, 2010), dance and body perception (Calvo-Merino, Urgesi, Orgs, Aglioti, & Haggard, 2010; Jola, Abedian-Amiri, Kuppuswamy, Pollick & Grosbras, 2012), music (Brattico & Jacobsen, 2009; Istók et al., 2009), and even food (Schifferstein, 2010; Schifferstein, Otten, Thoolen, & Hekkert, 2010).”
- The neuroaesthetics of music. (2013, background): “Research has found that beauty is an important part of most people’s understanding of musical aesthetics, for music experts and nonexperts (Istok et al., 2009), and for 6- to 9-year-old children (Nieminen et al., 2011) replicating results for visual art (Jacobsen, 2004).”