The Stopping Power of Advertising: Measures and Effects of Visual Complexity
By Rik Pieters, M. Wedel, R. Batra. 2010
706 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Marketing, Social Psychology
View Paper: https://www.semanticscholar.org/paper/3d383c470afffc304b1b8e4ce0666778e864d38b
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
In Marketing
In Social Psychology
- Sebastian Zenker
- Bo van Grinsven
- Enny Das
- Henrik Hagtvedt
- Erik Braun
- Sibylle Petersen
- Klaus-Peter Wiedmann
- Jannick Bettels
Citations in the corpus
- Logo design in marketing communications: Brand logo complexity moderates exposure effects on brand recognition and brand attitude (2016, methodology): “A design characteristic that fulfills this requirement but has not been applied to logo design is complexity (e.g., Pieters, Wedel, and Batra 2010; Wang, Shih, and Peracchio 2013).”
- The Visual Asymmetry Effect: An Interplay of Logo Design and Brand Personality on Brand Equity (2018, neutral): “Moreover, the amount of visual information contained in the two logos of each pair, measured by the size of JPEG files (Pieters, Wedel, and Batra 2010), did not differ statistically.”
- Branding the destination versus the place: The effects of brand complexity and identification for residents and visitors (2017, background): “Likewise, Pieters, Wedel, and Batra (2010) show that the design complexity of advertisement increases attention and attitude towards an ad.”
- This Logo Moves Me: Dynamic Imagery from Static Images (2014, neutral): “Visual cues specifically affect attention and consumer engagement (Finn 1988; Pieters and Wedel 2004; Pieters, Wedel, and Batra 2010).”
- Marketing Analytics for Data-Rich Environments (2016, neutral): “Examples are Pieters, Wedel, and Batra (2010), who use fi le size of JPEG images as a measure of feature complexity of advertisement images; Landwehr, Labroo, and Herrmann (2011), who apply image morphing to selected design points to compute visual similarity of car images; and Xiao and Ding (2014),…”
- The Impact of Incomplete Typeface Logos on Perceptions of the Firm (2011, background): “…Giese, and Cote 2004; Janiszewski and Meyvis 2001; Van der Lans et al. 2009) but also contribute to research on visual communication in general (Lurie and Mason 2007; Pieters, Wedel, and Batra 2010) and ambiguity specifically (Miller and Kahn 2005; Peracchio and Meyers-Levy 1994; Yi 1990).”