A model of aesthetic appreciation and aesthetic judgments.

By Helmut Leder, B. Belke, A. Oeberst, D. Augustin. British Journal of Psychology, 2004

1,792 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Social Psychology

View Paper: https://www.semanticscholar.org/paper/2e5ad4ad0154e7eb7296ee2a354dac33cc4f6a4a

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

In Experimental and Cognitive Psychology

In Social Psychology

Citations in the corpus

Facets of visual aesthetics (2010, methodology): “Aesthetic judgments entail references to normative criteria of what is aesthetic and is therefore concerned with the question of what should be considered being aesthetic in a more artistic sense (Leder et al., 2004).”
The aesthetic pleasure in design scale:The development of a scale to measure aesthetic pleasure for designed artifacts (2017, background): “Take for instance the often cited Aesthetic Process Model of Leder et al. (2004).”
Aesthetic package design: A behavioral, neural, and psychological investigation (2010, positive): “While aesthetic judgment (i.e., the cognitive element) is argued to be a result of understanding ambiguity in the object, Leder et al. (2004) further posited that aesthetic emotion (i.e., the affective element) may be seen as a result of continuous and satisfactory affective evaluation while…”
The Appeal of Challenge in the Perception of Art: How Ambiguity, Solvability of Ambiguity, and the Opportunity for Insight Affect Appreciation (2015, background): “Uncertainty reduction might be rewarding (Dörner & Vehrs, 1975; Van de Cruys & Wagemans, 2011); however, a complete resolution of ambiguity is not necessary for the appreciation of an artwork (see, for instance, Leder et al., 2004).”
The neuroaesthetics of music. (2013, methodology): “Drawing on proposals by Brattico, Bogert, and Jacobsen (in press); Juslin et al. (2010); Sloboda (2010); Hargreaves and North (2010); and Leder et al. (2004), we define an aesthetic experience of music as one in which the individual immerses herself in the music, dedicating her attention to…”
The role of aesthetic taste in consumer behavior (2012, background): “One of the most influential conceptual models of aesthetic experiences in this stream of literature has been presented by Leder et al. (2004) .”
The influence of emotion, locus of emotion and familiarity upon preference in music (2007, background): “It appears to be mediated by collative properties such as complexity (Leder et al., 2004; North and Hargreaves, 1998; Rentfrow and Gosling, 2003), extramusical factors such as stereotypes (Harrison and O’Neill, 2002; Rentfrow and Gosling, 2003; Tarrant et al., 2001; Tekman and Hortacsu, 2002) and…”
The Effects of Consumers’ Perceived Values on Intention to Purchase Upcycled Products (2019, background): “, organization, style, content) and increases its overall aesthetic appeal [59].”
Symbolic Meaning Integration in Design and its Influence on Product and Brand Evaluation (2009, background): “In addition, ambiguity in art and design may, in general, be more readily appreciated, in part because one of the functions of art is to induce ambiguity that is open for the viewer to resolve (cf. Leder et al., 2004).”