The influence of emotion, locus of emotion and familiarity upon preference in music

By Emery Schubert. 2007

152 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Music

View Paper: https://www.semanticscholar.org/paper/7ac499b3980cca68651d2a42bea8deed670720ae

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In Cognitive Neuroscience

In Music

Citations in the corpus

The neuroaesthetics of music. (2013, background): “Schubert (2007) demonstrated that induction of any emotion (negative or positive) by music predicts preference: the more we are moved by music, the more we like it.”
Relationships between expressed and felt emotions in music (2008, background): “…of the listener’s failure to dissociate the evaluative pleasure of the listening experience from the emotion felt—that is, the felt emotional response becomes mixed with the evaluation (in this case, boredom), producing an overall more negative felt emotional response (see Schubert, 1996, 2007).”
Current Emotion Research in Music Psychology (2015, unknown): “In general, however, emotions are perceived more strongly than experienced (Evans & Schubert, 2008; Gabrielsson, 2002; Hunter et al., 2010; Schubert, 2007; Zentner, Grandjean, & Scherer, 2008).”
Feelings and Perceptions of Happiness and Sadness Induced by Music: Similarities, Differences, and Mixed Emotions (2010, background): “In other studies (Evans & Schubert, 2008; Schubert, 2007b), perceptions were stronger than feelings but the small number of stimuli (i.e., 5 or fewer) precluded the possibility of assessing how perceptions and feelings covaried for the typical listener.”
Listening to sad music in adverse situations: How music selection strategies relate to self-regulatory goals, listening effects, and mood enhancement (2015, background): “Aim 3: Understanding Mood enhancement Several studies reported that listening to sad music can induce positive moods (Garrido & Schubert, 2010, 2011a, 2011b; Schubert, 2007; Kallinen & Ravaja, 2006; Vuoskoski, et al., 2012).”
A comparison of the discrete and dimensional models of emotion in music (2011, background): “These additional measures were added to clarify the role of valence because valence and preference have been shown to be separate constructs (Schubert, 2007).”
Formulating a Revised Taxonomy for Modes of Listening (2012, background): “…of sounds (e.g. Halpern, Zatorre, Bouffard, & Johnson, 2004), the differences between felt and perceived emotions induced and expressed by music (Schubert, 2007), pre-attentive processing of sounds (e.g. Tervaniemi, Schröger, & Näätänen, 1997), and the puzzling disparities in musical…”