Remix: Making Art and Commerce Thrive in the Hybrid Economy

By Lawrence Lessig. 2008

1,390 citations recorded by the source corpus.

Subfields: Urban Studies, Visual Arts and Performing Arts

View Paper: https://www.semanticscholar.org/paper/29d3ece6e221cdbbc7f48f0fe7818b8c95928245

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Urban Studies

In Visual Arts and Performing Arts

Citations in the corpus

The collaborative economy and tourism: Critical perspectives, questionable claims and silenced voices (2015, positive): “Term Author Definition Metaphor Sharing Economy Lessig (2008) Remix: Making Art and Commerce Thrive in the Hybrid Economy, among others The Sharing Economy is a socio-economic ecosystem …which embeds sharing and collaboration at its heart … It includes the shared creation, production, distribution, ”
Let a Thousand Flowers Bloom? An Early Look at Large Numbers of Software App Developers and Patterns of Innovation (2012, neutral): “Consonant with this sentiment, Lessig (2008) states “[t]housands could experiment on this common platform for a better way; millions of dot.com dollars will flow down the tube; but then a handful of truly extraordinary innovations comes from these experiments.””
An anatomy of a YouTube meme (2012, background): “The blogosphere is calling it a ‘meme’.”
Memes in a Digital World: Reconciling with a Conceptual Troublemaker (2013, background): “The second strategy of memetic repackaging, remixing , is also extremely prevalent, as digital technology and a plethora of user-friendly applications enable people to download, re-edit, and distribute content very easily (Lessig, 2008; Manovich, 2005).”
Challenges to learning and schooling in the digital networked world of the 21st century (2013, background): “The emphasis has shifted from reproducing information and content to content creation and sharing in virtual environments, which some describe as a remixing culture (Lessig, 2008).”
Regulating the Sharing Economy: Introduction to the Special Issue (2016, background): “In line with this, a large body of academic work explored both reciprocal and non-reciprocal modes of sharing, motivated by a range of rewards, such as for example explored by Barbrook (1998), Benkler (2004; 2006), Boyle (2003: 45) and Lessig (2008).”
Open badges for education: what are the implications at the intersection of open systems and badging? (2014, background): “Such ideas have influenced scholarly thought about how current laws and regulations constrain the powerful new ways that people can create and remix art, software, products and other artefacts with technology (Lessig 2008).”
Sharing and Web 2.0: The emergence of a keyword (2013, background): “Yochai Benkler (2006) is the leading figure in academic writing about sharing economies of production (but see also Lessig, 2008), which have been popularized through the best-seller, Wikinomics (Tapscott and Williams, 2006).”
Co-Creation: Toward a Taxonomy and an Integrated Research Perspective (2010, background): “The culture of the commons and, in particular, the culture of open access to and co-creation of derivative cultural works in the digital domain, of remix and mashup, has vocal academic advocates, such as Lessig [67, 68].”
Organizing for Innovation in the Digitized World (2012, background): “Recently, several legal scholars have made important theoretical contributions toward the changing nature of legal and regulatory systems based on their analysis of the nature of pervasive digital technology (Benkler 2006, Lessig 2008, Zittrain 2006).”
The “sharing” economy: labor, inequality, and social connection on for‐profit platforms (2017, background): “…for platforms like Airbnb or Lyft, with claims that it is either unknown (https://en.wikipedia.org/wiki/Sharing_economy) or attributable to Lawrence Lessig (2008) in his book Remix.3 Whatever the history, at some point in 2010, the term sharing economy started coming into use, eclipsing…”