Philosophical perspectives on music's expressiveness
By Stephen Davies. 2001
89 citations recorded by the source corpus.
View Paper: https://www.semanticscholar.org/paper/1d550281ce9ea016c070700ecb6eee9fb746e886
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- E. G. Schellenberg
- Patrick G. Hunter
- Patrik Juslin
- Petri Laukka
- Tuomas Eerola
- V. Konečni
- U. Schimmack
- Erik Lindström
Citations in the corpus
- Does music induce emotion? A theoretical and methodological analysis. (2008, background): “…by Avison (1752/2003), Hanslick (1854/1957), Gurney (1880/1966), Langer (1942) and Meyer (1956), whose ideas are very much alive in the contemporary thought of philosophers of music, such as Davies (1994, 2001); Kivy (1989, 1990); Levinson (1990, 1996); London (2001-2002), and Zangwill (2004).”
- “Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity (2003, background): “ne of the fundamental themes in the study of music and its performance is that music is heard as expressive by listeners (Budd, 1985; Davies, 2001; Juslin, 2001).”
- Communication of emotions in vocal expression and music performance: different channels, same code? (2003, background): “S. Davies (2001) observed that it has been suggested that expressive instrumental music recalls the tones and intonations with which emotions are given vocal expression (Kivy, 1989), but this . . . is dubious.”
- Feelings and Perceptions of Happiness and Sadness Induced by Music: Similarities, Differences, and Mixed Emotions (2010, background): “One view (Davies, 2001) argues that music evokes emotions in a two-stage process.”
- Doing things with music (2011, background): “We immerse ourselves within the immediacy of its phenomenal riches, since this is where we encounter the piece’s emotional content (Davies 2001, p. 30).”
- Distinguishing between the Meanings of Music: When Background Music Affects Product Perceptions (2005, background): “Relevant to this issue, extant research suggests that background music can communicate particular meanings or associations.”