“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity
By Erik Lindström, Patrik Juslin, Roberto Bresin, Aaron Williamon. 2003
161 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Music, Social Psychology
View Paper: https://www.semanticscholar.org/paper/41fc277532ce3520aa7fcf6aa29983006427f216
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Patrik Juslin
- Petri Laukka
- J. Karlsson
- G. Kreutz
- Ulrich Ott
- Tuomas Eerola
- A. Lamont
- Daniel Västfjäll
In Music
- Petri Laukka
- Patrik Juslin
- J. Karlsson
- Tuomas Eerola
- L. Quick
- S. Saarikallio
- Simon Liljeström
- Daniel Västfjäll
In Social Psychology
Citations in the corpus
- Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening (2004, background): “The present results are quite similar to those obtained in a study of performers (Lindström et al., 2003), the main difference being that performers appear to be much more inclined to think that music can express “personality characteristics” (89”
- From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions. (2013, background): “Further, 76% of the listeners reported that they ‘often’ perceive music as expressive of emotions (for similar data in a study of performers, see Lindström et al., 2003).”
- Musical expression: an observational study of instrumental teaching (2008, background): “Few performers, listeners, or music teachers would deny that expressive skills are essential to music performance (Juslin and Laukka, 2004; Laukka, 2004; Lindström et al., 2003).”
- Using music to induce emotions: Influences of musical preference and absorption (2008, background): “It appears that the expression of ‘happiness’ and ‘sadness’ is more often attributed to music than any other emotion, even in the absence of musical sound (Kreutz, 2002; Lindström et al., 2002).”