Negative emotions in music making: The problem of performance anxiety.

By Andrew Steptoe. 2001

145 citations recorded by the source corpus.

View Paper: https://www.semanticscholar.org/paper/e23d5ffd81aa04d5d16cac30cfc4534a6daee4df

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Citations in the corpus

A conceptual framework for understanding musical performance anxiety (2007, background): “One estimate is that 15% of performers experience anxiety as a significant problem (Steptoe, 2001).”
Music Performance Research at the Millennium (2003, background): “Further reviews have appeared in Brodsky (1996), Steptoe (2001), Wilson (2002), and Wilson and Roland (2002) to which the interested reader is referred; here only a few recent papers are mentioned.”
Emotion, engagement and meaning in strong experiences of music performance (2012, methodology): “These reflect many features of preparation and pre-performance anxiety found in earlier research (Lehmann et al., 2007; Osborne & Kenny, 2008; Steptoe, 2001).”
The role of sensitizing experiences in music performance anxiety in adolescent musicians (2008, background): “…(including difficulty maintaining posture and failures of technique) and fearful cognitions (concerning the probability of a performance catastrophe and the likelihood and consequences of negative evaluation) (Craske & Craig, 1984; Kirchner, 2003; Lang, 1971; Lederman, 1999; Steptoe, 2001).”
Correlates of performance anxiety in practical music exams (2004, background): “Useful reviews of the topic can be found in Steptoe (2001), Valentine (2002), and Wilson (1997, 2002).”
Perceived performance anxiety in advanced musicians specializing in different musical genres (2013, background): “A review of relevant research suggests that musical performance anxiety is a critical problem for 15% to 25% of professional musicians (Steptoe, 2001).”