Correlates of performance anxiety in practical music exams

By G. Rae, Kate McCambridge. 2004

96 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Music, Social Psychology

View Paper: https://www.semanticscholar.org/paper/863bbceab07c00d6dc4feb1a4049a0163dec1276

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Citations in the corpus

The role of sensitizing experiences in music performance anxiety in adolescent musicians (2008, background): “…psychological skills training in which students are encouraged to provide feedback on their own performance and taught how to prevent and manage MPA by modifying any problematic cognitions that are articulated with more realistic and helpful alternatives (Kenny, 2004; Rae & McCambridge, 2004).”
Perceived performance anxiety in advanced musicians specializing in different musical genres (2013, methodology): “Female musicians reported experiencing higher levels of anxiety, corroborating earlier research with classical student and professional musicians (e.g., Dews & Williams, 1989; Fishbein et al., 1988; Rae & McCambridge, 2004; Wesner et al., 1990).”
An Investigation Into the Choral Singer's Experience of Music Performance Anxiety (2009, unknown): “…2002; Maroon, 2003; Osborne & Kenny, 2005, 2006, 2008; Osborne, Kenny, & Cooksey, 2007; Osborne, Kenny, & Holsomback, 2005; Papageorgi, 2006; Rae & McCambridge, 2004; Rothlisberger, 1992; Ryan, 1998, 1999, 2000, 2004; Sinclair, 1997), with 8-year-olds being the youngest studied and…”
The role of coping strategy and experience in predicting music performance anxiety (2014, background): “With regard to gender, differences were shown between females and males in the research, and so gender was considered a relevant variable (Dews & Williams, 1989; Fishbein et al., 1988; Kenny & Osborne, 2006; Papageorgi et al., 2013; Rae & McCambridge, 2004; Yondem, 2007).”
A conceptual framework for understanding musical performance anxiety (2007, background): “…musicians are Research Studies in Music Education Number 28, 2007 © 2007 SEMPRE reported as being more anxious and more susceptible to experiencing maladaptive performance anxiety compared to their male counterparts (Kenny & Osborne, 2006; Rae & McCambridge, 2004; Ryan, 2004; Papageorgi, 2007).”
Perfectionism in young musicians: Relations with motivation, effort, achievement, and distress (2007, unknown): “However, the degree to which musicians experience performance anxiety and other forms of distress may vary depending on their personality characteristics (Rae & McCambridge, 2004).”
The experience of the flow state in live music performance (2013, background): “…flow state, instrument type, music performance, optimal experience Although there has been extensive investigation of music performance anxiety (Rae & McCambridge, 2004), the experience of positive performance states, such as the psychological state of flow (Csikszentmihalyi, 1990), has…”