The role of sensitizing experiences in music performance anxiety in adolescent musicians

By M. Osborne, Dianna T. Kenny. 2008

150 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Music, Social Psychology

View Paper: https://www.semanticscholar.org/paper/74488357f54c39dfad4fd0f8efb283eab201efa3

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Michele Biasutti
2. I. Papageorgi
3. Eleonora Concina
4. A. Lamont
5. Graham F. Welch
6. A. Creech

In Music

1. Michele Biasutti
2. I. Papageorgi
3. Eleonora Concina
4. A. Lamont
5. Graham F. Welch
6. A. Creech

In Social Psychology

1. Michele Biasutti
2. I. Papageorgi
3. Eleonora Concina
4. A. Lamont
5. Graham F. Welch
6. A. Creech

Citations in the corpus

• An Investigation Into the Choral Singer's Experience of Music Performance Anxiety (2009, unknown): “…clearly that performance anxiety in a music context is common among children and adolescents (Fehm & Schmidt, 2006; Lorenz, 2002; Maroon, 2003; Osborne & Kenny, 2005, 2006, 2008; Osborne, Kenny, & Cooksey, 2007; Osborne, Kenny, & Holsomback, 2005; Papageorgi, 2006; Rae & McCambridge, 2004;…”
• Emotion, engagement and meaning in strong experiences of music performance (2012, methodology): “These reflect many features of preparation and pre-performance anxiety found in earlier research (Lehmann et al., 2007; Osborne & Kenny, 2008; Steptoe, 2001).”
• Perceived performance anxiety in advanced musicians specializing in different musical genres (2013, methodology): “More recent studies employing psychometric testing to measure the incidence, severity and correlates of performance anxiety through the use of self-report measures include Ryan and Andrews (2009), Kenny, Davis, and Oates (2004), Osborne and Kenny (2008) and Rae and McCambridge (2004).”
• Performance Stress and the Very Young Musician (2011, unknown): “…differences emerging as a notable factor in the timing and extent to which anxiety affects them (Fehm & Schmidt, 2006; Lorenz, 2002; Maroon, 2003; Osborne & Kenny, 2008; Osborne, Kenny, & Cooksey, 2007; Osborne, Kenny, & Holsomback, 2005; Papageorgi, 2006; Rae & McCambridge, 2004; Rothlisberger,…”
• The role of coping strategy and experience in predicting music performance anxiety (2014, background): “This result is consistent with findings by Havas (1973) and Osborne and Kenny (2008), who reported the importance of social aspects in determining MPA.”