Enhancing fluent and flexible thinking through the creative drama process
By Sema Karakelle. 2009
109 citations recorded by the source corpus.
Subfields: Experimental and Cognitive Psychology, Visual Arts and Performing Arts
View Paper: https://www.semanticscholar.org/paper/acfb845a3d65cb7a57090602cf07590e2599f5d5
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Experimental and Cognitive Psychology
- B. Lee
- Chrishelle Redlich
- S. Cawthon
- Paul T. Sowden
- C. Lewis
- Erika A. Patall
- Lucie Clements
- Chaoying Tang
In Visual Arts and Performing Arts
- B. Lee
- Chrishelle Redlich
- S. Cawthon
- Paul T. Sowden
- C. Lewis
- Erika A. Patall
- Lucie Clements
- Chaoying Tang
Citations in the corpus
- Improvisation facilitates divergent thinking and creativity: Realizing a benefit of primary school arts education (2015, background): “This might seem surprising given that previous work has often focused on lengthier training programmes (e.g. Karakelle, 2009; Kim, 2002 , following their meta-analysis of the training and divergent thinking literature, that training should be lengthy.”
- Embodied creativity training: Effects on creative self-efficacy and creative production (2015, background): “Examples of embodied creativity training programs include drama education (Hui & Lau, 2006; Lin, 2010), creative drama (Karakelle, 2009) and role play training (Karwowski & Soszynski, 2008).”
- The Effect of Drama-Based Pedagogy on PreK–16 Outcomes (2015, result): “However, although many of these studies have found positive results (Huntsman, 1982; Karakelle, 2009; Rosenberg, Pinciotti, & Smith, 1983; Wright, 2006; Yeh & Li, 2008), some have found no effect for DBP (Harris & Rosenberg, 1983).”