Dimensions of Parasocial Interaction by Letter-Writers to a Popular Entertainment-Education Soap Opera in India

By S. Sood, E. Rogers. 2000

145 citations recorded by the source corpus.

Subfields: Communication, Gender Studies, Literature and Literary Theory

View Paper: https://www.semanticscholar.org/paper/acf292a2181fb0cffd2091ad82ed69aebf60c7cb

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Citations in the corpus

Audience involvement and film tourism experiences: emotional places, emotional experiences. (2011, methodology): “…mainly with television soap opera characters (Kim & Rubin, 1997; Papa et al., 2000; Perse & Rubin, 1988, 1989; Rubin & Perse, 1987b; Sood, 2002; Sood & Rogers, 2000) as well as with television newscasters (Levy, 1979; Perse, 1990; Rubin et al., 1985) and favourite television performers (Rubin…”
Parasocial Interaction: A Review of the Literature and a Model for Future Research (2002, background): “Finally, a small number of studies have used different qualitative approaches (Alperstein, 1991; Papa et al., 2000; Sood & Rogers, 2000).”
Why We Follow: An Examination of Parasocial Interaction and Fan Motivations for Following Athlete Archetypes on Twitter (2012, unknown): “…newscasters (Palmgreen, Wenner, & Rayburn, 1980; Rubin et al., 1985), television performers (Rubin & McHugh, 1987), soap opera characters (Perse & Rubin, 1989; Rubin & Perse, 1987, Sood & Rogers, 2000), and television and radio talk-show hosts (Rubin, Haridakis, & Eyal, 2003; Rubin & Step, 2000).”
“You're the Kind of Guy That We All Want for a Drinking Buddy”: Expressions of Parasocial Interaction on Floydlandis.com (2009, background): “Although PSI research predominantly and historically focuses on television, scholars have investigated PSI in other media (Burnett & Beto, 2000 ; Hyuhn-Suhck & Lee, 2004 ; Rubin, 2000 ; Sood & Rogers, 2000 ).”
Audience Involvement and Entertainment—Education (2002, unknown): “Recent qualitative research on the concept of parasocial interaction studied the affective, cognitive, and behavioral dimensions of parasocial interaction (Papa et al., 2000; Sood & Rogers, 2000).”
Perceived values of TV drama, audience involvement, and behavioral intention in film tourism (2018, background): “…experiences (Sood, 2002), and connects the program to the viewer’s real life in terms of his or her own life and problems, as if he or she were relating to the media characters as real people and, in turn, relating these real people to his or her own real world (Roesch, 2009; Sood & Rogers, 2000).”
When Good Friends Say Goodbye: A Parasocial Breakup Study (2006, background): “Similarly, Sood and Rogers (2000) linked the effects of education-entertainment programming to the development of PSRs with soap opera characters.”
‘You really are a great big sister’ – parasocial relationships, credibility, and the moderating role of audience comments in influencer marketing (2020, background): “For example, soap opera characters are often seen as familiar friends who regularly appear in people’s living rooms (Sood & Rogers, 2000).”
Parasocial Interaction With Liked, Neutral, and Disliked Characters on a Popular TV Series (2010, background): “In other words, affective bonds with media figures may lead audience members to desire greater similarity to them, and to incorporate characteristics of those figures into their own personality and behavioral repertoire (Klimmt et al, 2006 ; Sood & Rogers, 2000 ).”