Effects of Explicit Instruction to “Be Creative” Across Domains and Cultures
By Chuansheng Chen, Joseph Kasof, Amy J. Himsel, J. Dmitrieva, Qi Dong, Gui Xue. 2005
88 citations recorded by the source corpus.
Subfields: Experimental and Cognitive Psychology, Mechanical Engineering, Visual Arts and Performing Arts
View Paper: https://www.semanticscholar.org/paper/9e48b2812cec4001603fb783924dada018d9a6fd
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Experimental and Cognitive Psychology
- Paul J Silvia
- Roger E. Beaty
- Emily C. Nusbaum
- James C. Kaufman
- R. Beghetto
- R. Reiter‐Palmon
- Maciej Karwowski
- W. Niu
In Mechanical Engineering
- Paul J Silvia
- W. Niu
- Roger E. Beaty
- James C. Kaufman
- Emily C. Nusbaum
- R. Beghetto
- Maciej Karwowski
- Robert J. Sternberg
In Visual Arts and Performing Arts
- Paul J Silvia
- Roger E. Beaty
- James C. Kaufman
- Emily C. Nusbaum
- W. Niu
- Chuansheng Chen
- Joseph Kasof
- E. Greenberger
Citations in the corpus
- Ready, Set, Create: What Instructing People to "Be Creative" Reveals About the Meaning and Mechanisms of Divergent Thinking (2014, background): “But the early demonstration that people have some deliberate control over creative thought (Christensen et al., 1957) didn’t appreciably influence early models of creative cognition, which emphasized associative processes, such as spreading activation from common to increasingly remote ideas (Wallac”
- Self-Reported Differences in Creativity by Ethnicity and Gender (2006, background): “Chen et al. (2005) studied Asian Americans and nonAsian Americans and found no differences in measures of verbal, mathematical and artistic creativity.”
- Enhancing creativity: A comparison between effects of an indicative instruction “to be creative” and a more elaborate heuristic instruction on Chinese student creativity. (2009, background): “They further examined this effect in another study in which they used several product-oriented tasks in three different domains—art, literature, and mathematics (Chen et al., 2005).”
- Values and Creativity (2007, background): “(For more details about the instructional conditions and their effects, see Chen et al., 2005.)”