Listening To Music As A Re-Creative Process: Physiological, Psychological, And Psychoacoustical Correlates Of Chills And Strong Emotions

By Oliver Grewe, F. Nagel, Reinhard Kopiez, Eckart Altenmüüller. 2007

296 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Music, Social Psychology

View Paper: https://www.semanticscholar.org/paper/4db79b08c4d7e6ba1bed0bd5d6a3df9ca02934ff

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Paul J Silvia
2. Emily C. Nusbaum
3. Patrik Juslin
4. M. del Campo
5. Thomas J. Kehle
6. Daniel Västfjäll
7. Simon Liljeström
8. Roger E. Beaty

In Music

1. Patrik Juslin
2. Paul J Silvia
3. Emily C. Nusbaum
4. Simon Liljeström
5. Daniel Västfjäll
6. Eckart Altenmüüller
7. M. del Campo
8. Oliver Grewe

In Social Psychology

1. Emily C. Nusbaum
2. Patrik Juslin
3. Paul J Silvia
4. Eckart Altenmüüller
5. M. del Campo
6. Oliver Grewe
7. Reinhard Kopiez
8. Daniel Västfjäll

Citations in the corpus

• On personality and piloerection: Individual differences in aesthetic chills and other unusual aesthetic experiences. (2011, methodology): “The 12 items were developed based on the items, concepts, and descriptions from past work on these states (e.g., Grewe et al., 2007; Konečni, 2005; Sloboda, 1991).”
• The Chill Parameter: Goose Bumps and Shivers as Promising Measures in Emotion Research (2009, background): “Several pre-experiments as well as a previous study (Grewe et al., 2007) showed that the mere pressing of the mouse button did not lead to strong physiological reactions.”
• Shivers and Timbres (2011, background): “…that people high in openness prefer genres within the Reflective and Complex domain (Rentfrow & Gosling, 2003; Zweigenhaft, 2008), and these types of music may more effectively create chills by virtue of their structural and dynamic features (Grewe et al., 2007; Grewe et al., 2009; Sloboda, 1991).”
• Experimental evidence of the roles of music choice, social context, and listener personality in emotional reactions to music (2013, result): “Similarly, a few laboratory studies suggest that self-chosen music arouses more intense responses than other-chosen music (Blood & Zatorre, 2001; Grewe et al., 2007; Salimpoor, Benovoy, Larcher, Dagher, & Zatorre, 2011), although these studies focused mainly on the specific phenomenon of ‘chills’…”
• Autonomous sensory meridian response (ASMR) and frisson: Mindfully induced sensory phenomena that promote happiness (2016, background): “A consistent predictor of frisson is the attentiveness of the listener to the music (e.g., Grewe et al., 2007; Nusbaum et al., 2014).”