Shivers and Timbres

By Emily C. Nusbaum, Paul J Silvia. 2011

98 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Music, Social Psychology

View Paper: https://www.semanticscholar.org/paper/5779d17c1406cbca9653d2e27301aa03f4ce4238

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Roger E. Beaty
2. Paul J Silvia
3. Emily C. Nusbaum
4. Tuomas Eerola
5. Jonna Vuoskoski
6. Kirill Fayn
7. William Forde Thompson
8. Yoed N. Kenett

In Music

1. Tuomas Eerola
2. Jonna Vuoskoski
3. William Forde Thompson
4. Roger E. Beaty
5. Paul J Silvia
6. Emily C. Nusbaum
7. Patrik Juslin

In Social Psychology

1. Emily C. Nusbaum
2. Roger E. Beaty
3. Kirill Fayn
4. Tuomas Eerola
5. Jonna Vuoskoski
6. William Forde Thompson
7. Paul J Silvia
8. T. Kashdan

Citations in the corpus

• Who enjoys listening to sad music and why (2012, background): “The trait Openness to Experience is related to a sensitivity to art and beauty (McCrae & Sutin, 2009), to a preference for diverse and complex music styles (e.g., Rentfrow & Gosling, 2003), and to the experience of aesthetic chills in response to music (Nusbaum & Silvia, 2011).”
• Openness to experience and awe in response to nature and music: Personality and profound aesthetic experiences. (2015, background): “Even though people high in openness to experience tend to like reflective and unconventional music (Nusbaum & Silvia, 2011b), this category includes many distinct genres, from highbrow genres (e.g., classical, opera, and jazz) to obscure indie and electronic genres (Rentfrow & Gosling, 2003).”