Cultural industries and public policy

By A. Pratt. 2005

280 citations recorded by the source corpus.

Subfields: Urban Studies, Visual Arts and Performing Arts

View Paper: https://www.semanticscholar.org/paper/3b0614e9e76e45af4bed7648988f78a9ecf35e58

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Citations in the corpus

Modelling the cultural industries (2008, background): “For a concept that is now firmly established in the analysis of cultural policy and in the thinking of many policy‐makers, it is surprising that the definition of the ‘cultural industries’ remains a contested topic (O’Connor 1999 , Garnham 2001 , Hartley 2005 , Pratt 2005 ).”
Cultural economy planning in creative cities: Discourse and practice (2013, background): “Cultural Industries Model This model focuses on the functional characteristics of the commercial cultural industries (Hesmondhalgh, 2007; Pratt, 2005; Scott, 2000, 2008).”
Creative Industries after the First Decade of Debate (2010, background): “The two lines of demarcation proposed in the original DCMS definition—individual creativity that could take the form of intellectual property—did little to clarify what Andy Pratt (2005) described as the “breadth question” in differentiating the creative industries from other sectors, while Chirs Bi”
Four models of the creative industries (2008, background): “DCMS (1998), Cunningham (2001), Hesmondhalgh and Pratt (2005), Galloway and Dunlop (2007).”
Include Us Out—Economic Development and Social Policy in the Creative Industries (2006, background): “Part 1: Contradictions and Tensions in Creative Industries Policy One of the difficulties in analysing creative industries policy is, as Pratt (2005) has commented, that there is relatively little of it about.”
Introduction to paradoxes of creativity: managerial and organizational challenges in the cultural economy (2007, background): “We see the boundaries between such symbolic and cultural production and other less symbolically loaded production as porous and provisional (Hesmondhalgh, 2002: 11–12; Hesmondhalgh & Pratt, 2005: 6; Hirsch, 1972).”
After the creative industries (2009, background): “Policy makers, then, need to understand these complex dimensions, though it is generally agreed that this has rarely been the case (Jeffcut and Pratt 2002, Pratt 2005, Oakley 2006, Pratt 2009).”
The concentric circles model of the cultural industries (2008, background): “1 Of course the relationship between the cultural industries and cultural policy has been a long-standing matter for discussion within the cultural studies and political economy traditions (Garnham, 1990 ; Hartley, 2005 ; Hesmondhalgh & Pratt, 2005 ; Lewis & Miller, 2003 ; McGuigan, 2004 ; Pra”
Managing in the creative industries: Managing the motley crew (2009, methodology): “Given some of the difficulties of identification, Pratt (2005) advises an analysis based on ‘depth’, a gradually broadening circle from those who produce creative content, to those engaged in exchange, reproduction, providing manufacturing inputs, educational support and archiving.”