Include Us Out—Economic Development and Social Policy in the Creative Industries

By K. Oakley. 2006

189 citations recorded by the source corpus.

Subfields: Economics and Econometrics, Urban Studies

View Paper: https://www.semanticscholar.org/paper/845bcb822f34fa7d60c1562f3b742725b88f7f4a

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Economics and Econometrics

1. Justin O'Connor
2. I. Chaston
3. E. Sadler‐Smith
4. M. Banks
5. K. Oakley

In Urban Studies

1. Justin O'Connor
2. M. Banks
3. I. Chaston
4. E. Sadler‐Smith
5. K. Oakley

Citations in the corpus

• The disappearing arts: creativity and innovation after the creative industries (2009, background): “And the concern of many cultural industries advocates with access for marginalised groups – ethnic minorities and women in particular – still found itself reflected in specific interventions, though the ability of those interventions to counter wider market and social forces was limited, to say the ”
• Cultural Industries: Product–Market Characteristics, Management Challenges and Industry Dynamics (2015, unknown): “Consequently, Oakley (2006) and McRobbie (2002) claim that the creative industries exacerbate existing patterns of economic inequality, and many creative graduates fail to become such agents of knowledge spillovers as policy-makers expect (Comunian et al. 2010).”
• The cultural and creative industries: a review of the literature (2007, background): “Such policies ignored real contradictions between the different agendas, and it was often unclear as to which one it was supposed to be addressing (Oakley, 2006; 2007; Evans and Shaw, 2004).”
• After the creative industries (2009, background): “Policy makers, then, need to understand these complex dimensions, though it is generally agreed that this has rarely been the case (Jeffcut and Pratt 2002, Pratt 2005, Oakley 2006, Pratt 2009).”
• Entrepreneurial Cognition, Entrepreneurial Orientation and Firm Capability in the Creative Industries (2011, background): “…of sustainable high quality creative industries, but also face challenges relating to issues such as attracting and retaining creative talent, the provision and quality of infrastructure (White, 2010) and the attractiveness in the UK of London and the southeast as business locations (Oakley, 2006).”
• Creative industries: a new direction? (2009, background): “This could be messy and confused (Pratt 2004; Oakley 2006 ) but it came with the territory; which was that the policy visions and the constituency that drove them involved a new and rather hybrid mix of social, cultural, economic and local political aspirations.”
• Unrewarded careers in the creative class: The strange case of bohemian graduates (2010, unknown): “The role of London as hub for the creative industrie as a whole is shown by (Clifton 2008, Oakley 2006, Pratt 1997), while other authors (for example Reimer et al. 2008) describe the role of London for specific sub sectors of the creative economy (such as design).”