Processing strategy moderates the cultivation effect
By L. Shrum. 2001
161 citations recorded by the source corpus.
Subfields: Applied Psychology, Literature and Literary Theory, Sociology and Political Science
View Paper: https://www.semanticscholar.org/paper/34ada7b78ab029567dc388a430bace2e8a27e1e1
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Applied Psychology
- Rick W. Busselle
- James E. Burroughs
- A. Rindfleisch
- Dmitri Williams
- Markus Appel
- V. Strasburger
- D. Bischak
- J. Shrum
In Literature and Literary Theory
- Rick W. Busselle
- L. Shrum
- James E. Burroughs
- A. Rindfleisch
- Jaehoon Lee
- Markus Appel
- Dan G. Drew
- Maria Elizabeth Grabe
In Sociology and Political Science
- Rick W. Busselle
- L. Shrum
- James E. Burroughs
- A. Rindfleisch
- Dan G. Drew
- Maria Elizabeth Grabe
- Jaehoon Lee
- Markus Appel
Citations in the corpus
- Media Exposure and Exemplar Accessibility (2003, background): “…aspect of previous studies, particularly those that have looked at the effect of frequency of television viewing on social perceptions, has been the lack of clarification as to whether noted accessibility effects are a function of recency or frequency of exposure (cf. Shrum, 1996, 2001).”
- An Online Process Model of Second-Order Cultivation Effects: How Television Cultivates Materialism and Its Consequences for Life Satisfaction. (2011, background): “In support of this premise, research has shown that relative to lighter viewers, heavier viewers perceive a greater prevalence of luxury product ownership such as hot tubs and diamond necklaces, a higher incidence of high-income occupations such as doctors and lawyers, more widespread use of expensi”
- Crime Cultivation: Comparisons Across Media Genres and Channels (2007, background): “Finally, information processing theories have recently surfaced in research efforts to parse out the relations between TV viewing and crime orientations (e.g., Busselle, 2001; Busselle & Shrum, 2003; Mares, 1996; Shrum, 1996, 2001; Shrum & O’Guinn, 1993; Shrum, Wyer, & O’Guinn, 1998).”
- Television Exposure, Perceived Realism, and Exemplar Accessibility in the Social Judgment Process (2001, methodology): “This pattern of results in the judgment-first condition may have implications for source monitoring and source discounting research (Mares, 1996; Shrum, 1997b).”
- Fictional Narratives Cultivate Just‐World Beliefs (2008, background): “Experimental and longitudinal studies have shown both ways of causal influence (e.g., Morgan, 1982; Moskalenko & Heine, 2003; Shrum, 2001).”
- Television's Cultivation of Material Values (2005, methodology): “To test this possibility, we reanalyzed data from O’Guinn and Shrum (1997), Shrum (2001), and Shrum et al.”
- Children, Adolescents, and the Media (2002, background): “” As one researcher sums it up, “The notion that the viewing of television program content is related to people’s perceptions of reality is virtually undisputed in the social sciences”.(58)”
- Mainstreaming, resonance, and impersonal impact : Testing moderators of the cultivation effect for estimates of crime risk (2001, background): “…(e.g., Rubin, 1981; Rubin et al., 1988; Rubin, Perse, & Powell, 1985) and is easy to administer in survey settings, and (c) the notion that program categories are better predictors than total television has not always been supported (cf. Morgan & Shanahan, 1996; Shrum, 2001; Shrum et al., 1998).”
- Virtual Cultivation: Online Worlds, Offline Perceptions (2006, background): “These heuristic shortcuts can lead to a distortion of reality because they emphasize accessible information that may be incorrect rather than harder-to-recall correct information (Shrum, 2001), a process known as spreading activation (Berkowitz & Rogers, 1986).”
- Television Exposure and the Public's Perceptions of Physicians (2003, background): “Accessibility is also higher among heavy viewers because the activated information tends to be vivid and distinct, due to television’s dramatic, fast-paced, and exciting formats (Shrum, 1995, 2001 ).”