That's disgusting! …, but very amusing: Mixed feelings of amusement and disgust
By S. Hemenover, U. Schimmack. 2007
131 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Social Psychology
View Paper: https://www.semanticscholar.org/paper/29acb6982e69b55621ae21862866c923a7228230
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- E. G. Schellenberg
- Patrick G. Hunter
- Eduardo B. Andrade
- Norbert Schwarz
- Joel B. Cohen
- G. Schellenberg
- O. Ladinig
- Michel Tuan Pham
In Social Psychology
- Joel B. Cohen
- E. G. Schellenberg
- Patrick G. Hunter
- Eduardo B. Andrade
- S. Hemenover
- Michel Tuan Pham
- Jiewen Hong
- G. Schellenberg
Citations in the corpus
- Liking unfamiliar music: Effects of felt emotion and individual differences. (2012, background): “Indeed, mixed feelings in response to music appear to be relatively common, as they are in nonmusical contexts (Hemenover & Schimmack, 2007; Larsen & McGraw, in press; Larsen et al., 2001, 2004; Schimmack, 2001, 2005; Schimmack & Colcombe, 2008).”
- Feeling Mixed but Not Torn: The Moderating Role of Construal Level in Mixed Emotions Appeals (2010, background): “…possessions (Price, Arnould, and Curasi 2000), to more common consumption episodes such as watching a movie (Andrade and Cohen 2007; Hemenover and Schimmack 2007; Larsen, McGraw, and Cacioppo 2001), listening to music (Hunter, Schellenberg, and Schimmack 2008), engaging in inadvertent…”
- The Nature and Role of Affect in Consumer Behavior (2008, background): “A similar rationale has been adopted to show the presence of mixed feelings of disgust and amusement as a result of video exposure (Hemenover & Schimmack, 2004).”
- On the Consumption of Negative Feelings (2007, background): “Also, when viewers are asked to watch aversive (e.g., disgusting) scenes and to put themselves in the character’s shoes, their ability to experience amusement decreases significantly (Hemenover and Schimmack 2004).”
- Mixed affective responses to music with conflicting cues (2008, background): “Recent empirical evidence (Hemenover & Schimmack, 2007; Larsen, McGraw, & Cacioppo, 2001; Larsen, McGraw, Mellers, & Cacioppo, 2004; Schimmack, 2001, 2005; Schimmack & Colcombe, in press; see also Diener & Iran-Nejad, 1986) suggests that positive and negative affect represent separate dimensions…”
- Feelings and Perceptions of Happiness and Sadness Induced by Music: Similarities, Differences, and Mixed Emotions (2010, background): “…and negative affect (i.e., corresponding to opposite poles of the putative valence dimension) are activated simultaneously in some circumstances (Hemenover & Schimmack, 2007; Larsen, McGraw, & Cacioppo, 2001; Larsen, McGraw, Mellers, & Cacioppo, 2004; Schimmack, 2001, 2005; Schimmack &…”
- Mixed feelings: the case of ambivalence (2017, background): “In some cases, people experience different discrete emotions simultaneously, like happiness and sadness [1] or disgust and amusement [2].”
- The Case for Mixed Emotions (2014, unknown): “A closer investigation by Hemenover and Schimmack (2007), however, indicated that this disgust is accompanied by feelings of amusement (Hemenover & Schimmack, 2007).”
- On the relative effectiveness of affect regulation strategies: A meta-analysis (2009, background): “First, the extant data clearly demonstrate that positive and negative affect can exist largely independent of one another (see Hemenover & Schimmack, 2007 ; Larsen, McGraw, & Cacioppo, 2001 ; Larsen, McGraw, Mellers, & Cacioppo, 2004 ) and thus, the use of a univariate measure of affect change is”
- The emotional and cognitive effect of immersion in film viewing (2010, background): “Viewers of feature films usually experience a mixture of emotions (Hemenover & Schimmack, 2007 ): when a villain is killed by the protagonist, they might feel pain for the villain, joy for the protagonist, and fascination for the movie.”