The Cultural Industries

By D. Hesmondhalgh. 2002

523 citations recorded by the source corpus.

Introduction: Change and Continuity, Power and Creativity PART ONE: ANALYTICAL FRAMEWORKS Theories of Culture, Theories of Cultural Production Cultural Industries in the Twentieth Century: The Key Features Why the Cultural Industries Began to Change in the 1980s PART TWO: POLICY CHANGE Marketization in Telecommunications and Broadcasting Further Changes in Policy: Copyright and the Cult of Creativity PART THREE: CHANGE AND CONTINUITY IN THE CULTURAL INDUSTRIES, 1980 TO 2012 Ownership, Structure and Size Creativity and Commerce, Organization and Labour Internationalism: Neither Globalisation Nor Cultural Imperialism Digitalisation and the Internet The Impact of the Internet and Digitalisation on Existing Cultural Industries Texts: Diversity, Quality and Social Justice Conclusions: A New Era in Cultural Production? Glossary

Subfields: Urban Studies

View Paper: https://www.semanticscholar.org/paper/ee79578b4ffeb44f254ea73e6d952b2addde068f

How researchers see this paper

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In Urban Studies

1. Greg Schrock
2. A. Scott
3. Candace Jones
4. R. DeFillippi
5. A. Markusen
6. Gernot Grabher
7. H. Bathelt
8. C. Grodach

Citations in the corpus

• The intrapreneur and innovation in creative firms (2012, background): “…of government policies that support the growth of this industry due to its positive contribution to a country’s economy, are good reasons for studying what are now called ‘creative firms’ (Ellmeier, 2003; Hesmondhalgh, 2002; Hesmondhalgh and Pratt, 2005; Lee et al., 2004; Wong et al., 2006).”
• Introduction to paradoxes of creativity: managerial and organizational challenges in the cultural economy (2007, background): “We see the boundaries between such symbolic and cultural production and other less symbolically loaded production as porous and provisional (Hesmondhalgh, 2002: 11–12; Hesmondhalgh & Pratt, 2005: 6; Hirsch, 1972).”
• Capitalism and Urbanization in a New Key? The Cognitive-Cultural Dimension (2007, background): “to be made in this context of the enormous recent expansion of cultural-products industries generally and the concomitant emergence of an important segment of the cognitive-cultural labor force dedicated to the conception and fabrication of outputs whose function is to entertain, to instruct, to emb”
• Defining the Creative Economy: Industry and Occupational Approaches (2008, unknown): “cultural industries is offered by sociologist Hesmondhalgh (2002), who uses Williams’s”
• Cultural economy: a critical review (2005, unknown): “…Bassett et al., 2002; Gibson et al., 2002), but also sociology (Zukin, 1995; du Gay, 1997; du Gay and Pryke, 2002; Stevenson, 2003), media and communications studies (Cunningham, 2001; Hesmondhalgh, 2002), urban planning (Landry, 2000) and economics (Howkins, 2001; Caves, 2000; Throsby, 2001).”