A Musical Mind

By E. Jaffe. 2012

103 citations recorded by the source corpus.

View Paper: https://www.semanticscholar.org/paper/e1bcd724310d10a529be6fb53144c4aba97012d6

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Citations in the corpus

Problem-Solving and Creativity: Insights from Students’ Individual Composing Pathways (2004, background): “…problemsolving relates to composing as ways of thinking about the internal logic of the composer’s pathway, instances of which have been explained by Sloboda (1985) as a process which sees ‘the composer reject possible solutions until he finds one which seems to be the best for his purposes’ (p.…”
Context Effects on Pitch Perception in Musicians and Nonmusicians: Evidence from Event-Related-Potential Recordings (2001, background): “D ow nloaded from http://online.ucpress.edu/m p/article-pdf/19/2/199/189714/m p_2001_19_2_199.pdf by guest on 14 June 2020 Music consists of sets of discrete elements organized by the structures of a given musical culture (cf. Sloboda, 1985).”
Playing together without communicating? A pre-reflective and enactive account of joint musical performance (2015, background): “…examples from Keller, and from Seddon and Biasutti provided above, indeed, point to what we believe to be a larger trend in psychology of music, namely its commitment to the classic representational framework that has dominated the last 50 years of research in music psychology (e.g. Sloboda, 1985).”
Music, biological evolution, and the brain (2010, background): “In addition to emotion and ritual, music often provides an important mnemonic device for storing long sequences of linguistic information, especially when written language is not available (Sloboda, 1985).”