A Dual-state Model of Creative Cognition for Supporting Strategies that Foster Creativity in the Classroom
By Paul A. Howard-Jones. 2002
111 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Developmental and Educational Psychology, Experimental and Cognitive Psychology
View Paper: https://www.semanticscholar.org/paper/ae41d010c12507f4616784dca9c0c1c0ce4902b1
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
In Developmental and Educational Psychology
In Experimental and Cognitive Psychology
- Paul T. Sowden
- Andrew Pringle
- Chrishelle Redlich
- Liane Gabora
- C. Lewis
- Lucie Clements
- T. Lewis
- Gabriela Goldschmidt
Citations in the corpus
- Improvisation facilitates divergent thinking and creativity: Realizing a benefit of primary school arts education (2015, background): “…of novel ideas and to evaluate them in order to produce ideas that will be of value to the context in which they are generated (e.g. Campbell, 1960; Finke, Ward & Smith, 1992; Gabora, 2005; Guilford, 1956; Howard-Jones, 2002; Simonton, 1999; see Sowden, Pringle & Gabora, 2015 for a synthesis).”
- The shifting sands of creative thinking: Connections to dual-process theory (2014, background): “The dual-stage models of Basadur (1995), Howard-Jones (2002), and Finke et al. (1992) and the theory of the emergence of a creative insight proposed by Gabora and Ranjan (2013) suggest shifting between types of thinking occurs in series.”
- Creativity in technology education: providing children with glimpses of their inventive potential (2009, background): “Howard-Jones (2002) has called attention to this, pointing out that generative thought processes are different from the analytical processes that are meant to refine them.”