A Systematic Review of Treatments for Music Performance Anxiety
By Dianna T. Kenny. 2005
194 citations recorded by the source corpus.
Subfields: Music, Rehabilitation, Social Psychology
View Paper: https://www.semanticscholar.org/paper/a1416185993bbda3b9eb9dc62d31a7b08f60f1f6
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Music
- I. Papageorgi
- Graham F. Welch
- S. Hallam
- Amanda Leon-Guerrero
- S. Nielsen
- Peter Miksza
- P. Evans
- Gary E. McPherson
In Rehabilitation
In Social Psychology
- T. Schmader
- Michael Johns
- Chad E. Forbes
- I. Papageorgi
- S. Hallam
- Graham F. Welch
- N. Ellemers
- Markus Appel
Citations in the corpus
- An integrated process model of stereotype threat effects on performance. (2008, background): “Indeed such treatments have had some success in reducing physiological stress and facilitating the performance of musicians suffering from stage fright (see Kenny, 2005, for a review).”
- A conceptual framework for understanding musical performance anxiety (2007, background): “(For reviews of techniques that have been proposed to alleviate anxiety in musical performance, see Gabrielsson, 1999; Hallam, 2003; Kenny, 2005; Salmon & Meyer, 1998; Williamon, 2004; Wilson, 2002).”
- The role of coping strategy and experience in predicting music performance anxiety (2014, unknown): “With regard to MPA treatment, Kenny (2005) hypothesized that MPA may be impacted by different variables in music students versus professional musicians and that the differences may impact clinical treatment of anxiety and training.”