Adaptation to auditory-visual discordance and ventriloquism in semirealistic situations
By Monique Radeau, Paul Bertelson. 1977
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- Charles Spence
- Yi-Chuan Chen
- German Ignacio Parisi
- David J. Lewkowicz
- Mirjam Keetels
- R. Lickliter
- Jeroen J. Stekelenburg
- Lorraine E. Bahrick
Citations in the corpus
- Assessing the Role of the ‘Unity Assumption’ on Multisensory Integration: A Review (2017, background): “For example, Radeau and Bertelson (1977, 1978) presented their participants with realistic audiovisual pairings, such as the video of a person’s speaking face and voice, or the video of the hands of someone playing the bongos and the associated drumming sounds.”
- Audiovisual multisensory integration (2007, background): “tional richness) contained in the auditory and visual stimuli for those stimuli that supposedly promoted an assumption of unity was also higher (see also [46]; and [4] for null results).”
- The effect of synesthetic associations between the visual and auditory modalities on the Colavita effect (2015, background): “Semantic congruency, however, had no effect on the ventriloquist effect (Radeau and Bertelson 1977, 1978).”
- Semantic congruency and the Colavita visual dominance effect (2008, background): “bottom-up) factors that determine the actual physical relationship between auditory and visual stimuli (see Radeau and Bertelson 1977, for a discussion of structural/bottom-up and cognitive/top-down factors inXuencing multisensory perception; Spence 2007; Welch 1999).”
- A computational model of crossmodal processing for conflict resolution (2017, background): “For instance, it has been shown that increasing spatial disparity leads to decreasing visual bias on auditory localization [2, 3, 5].”
- Knowledge about a Common Source Can Promote Visual — Haptic Integration (2007, background): “…similarity between the bimodal sensory input, such as the degree of temporal synchrony (eg Choe et al 1975; Jack and Thurlow 1973; Klemm 1909; Radeau and Bertelson 1977, 1987; Thomas 1941) or the amount of spatial separation (eg Bertelson and Radeau 1981; Choe et al 1975; Thurlow and Jack…”
- Interactions of auditory and visual stimuli in space and time. (2009, background): “One interesting feature of the ventriloquism effect is that it can be long lasting (Radeau and Bertelson, 1977, 1978; Recanzone, 1998; LeWald, 2002).”
- Perceptual congruency of audio-visual speech affects ventriloquism with bilateral visual stimuli (2011, background): “Radeau and Bertelson (1977) combined a voice with two types of visual stimuli, either a realistic stimulus (a visible talker) or a simplified one (a flashing light synchronized with the amplitude peak of the voice).”
- Intersensory binding across space and time: A tutorial review (2013, background): “Observers often perceived flashes at unexpectedly short delays after the keypress as occurring before the keypress, thus demonstrating a recalibration of motor–sensory TOJs (Stetson et al., 2006).”
- Facilitation of multisensory integration by the "unity effect" reveals that speech is special. (2008, background): “This null result suggests that the unity effect does not influence people’s temporal perception of realistic audiovisual nonspeech stimuli (Vatakis & Spence, 2008; cf. Radeau & Bertelson, 1977).”