EVALUATIVE SCHEMAS AND THE ATTENTION OF CRITICS IN THE U.S. FILM INDUSTRY.

By Greta Hsu. 2005

139 citations recorded by the source corpus.

Subfields: Economics and Econometrics, Urban Studies, Visual Arts and Performing Arts

View Paper: https://www.semanticscholar.org/paper/30f297ea12b20ed078993065ab286889df6718e6

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Economics and Econometrics

In Urban Studies

In Visual Arts and Performing Arts

Citations in the corpus

Undeserved Loss: The Spread of Legitimacy Loss to Innocent Organizations in Response to Reported Corporate Deviance (2009, background): “For example, the Enron scandal tainted the overall reputation of its auditor Arthur Andersen, not just that of the Houston offi ce that handled the Enron account, and caused its clients to withdraw their business (Jensen, 2006).”
What Happens When Evaluation Goes Online? Exploring Apparatuses of Valuation in the Travel Sector (2014, background): “This influence is especially consequential when valuations are legitimized by institutionally recognized experts, professional critics, media organizations, or certifying bodies (Glynn and Lounsbury 2005; Hsu 2006; Sauder and Espeland 2006; Waguespack and Sorenson 2011; Zhao 2005).”
Cultural Industries: Product–Market Characteristics, Management Challenges and Industry Dynamics (2015, unknown): “Critics have indeed been found to prefer products from certain producers (Hsu 2006a; Ravid et al. 2006), and distributors prefer earlier collaborators despite their poorer sales (Sorenson and Waguespack 2006).”
Employing identities in organizational ecology (2004, background): “In a similar vein, Hsu and Podolny (2002; also see Hsu, 2002, 2003) have recently undertaken content analyses of movie reviews, showing that both films and motion picture genres can be clustered based on their overlap in the terminology used by reviewers to describe them.”
A visual analytics approach to understanding cycling behaviour (2012, unknown): “All in all, this means that the borders between what have traditionally been considered sound-design and music are collapsing which, I argue, is also primarily at the service of spatial presence.”
Prominent but Less Productive (2015, background): “…together distinct ideas across domains, an idea developed from research on recombinant innovation (Fleming, 2001; Schilling, 2005; Singh and Fleming, 2010): pooling non-redundant information from disparate sources is the foundation from which novel ideas spring (Weitzman, 1998; Hargadon, 2002).”