Music and emotion: Theory and research
By Patrik N. Juslin, John A. Sloboda. 2001
1,156 citations recorded by the source corpus.
View Paper: https://www.semanticscholar.org/paper/2697fc4036615088f01688dde1c298390ef4a361
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- E. G. Schellenberg
- Tuomas Eerola
- Jonna Vuoskoski
- Patrick G. Hunter
- Dave Miranda
- Patrik Juslin
- Petri Laukka
- Michael A. Casey
Citations in the corpus
- The Impact of Music on Subjective and Physiological Indices of Emotion While Viewing Films (2005, background): “Despite the seeming prominence of music during film presentations, however, it is generally conceded that the systematic examination of film music has been roundly neglected by film theory (Donnelly, 2001; Tan, 1996), musicology (Prendergast, 1992), and music psychology (Cohen, 2001).”
- What makes us like music? Determinants of music preference. (2010, background): “To give rise to such emotions and to synchronize social activities or drive ritual dances, music should also elicit physiological arousal (see Kreutz, Ott, Teichmann, Osawa, & Vaitl, 2008; North & Hargreaves, 1997; Scherer & Zentner, 2001; Schubert, 2004).”
- Music, biological evolution, and the brain (2010, background): “Many people report listening to music for the emotion it induces (Juslin and Sloboda, 2001; Benzon, 2001).”
- The influence of physical movement on the perception of musical performance (2008, background): “There is considerable research that has explored expressivity and how musicians achieve musical expressiveness in their performances (Gabrielsson, 1982; Gabrielsson, 1999; Gabrielsson and Juslin, 1996, Juslin and Sloboda, 2001; Persson, 2001).”
- “Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity (2003, background): “Fortunately, the topic of expressivity has seen increasing interest in recent years, along with increasing interest in emotional aspects of music (Juslin & Sloboda, 2001).”
- Communication of emotions in vocal expression and music performance: different channels, same code? (2003, background): “The increase is perhaps a result of the increased availability of software for digital analysis of acoustic cues, but it may also reflect a renaissance for research on musical emotion (Juslin & Sloboda, 2001).”
- Automatic mood detection and tracking of music audio signals (2006, background): “Most of the research works on music mood and emotion are related to music composition and music expressivity [15].”