Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts

By E. Bigand, S. Vieillard, F. Madurell, J. Marozeau, A. Dacquet. 2005

414 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Signal Processing

View Paper: https://www.semanticscholar.org/paper/193d4ed0a0829bb26315b211671c5d498de6512f

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Citations in the corpus

A comparison of the discrete and dimensional models of emotion in music (2011, methodology): “It is worth of noting that, with the notable exception of Bigand et al. (2005), musical examples have been chosen solely in terms of wholly discrete emotions (e.g., happy and sad) in the existing studies that use both discrete and dimensional models of emotion in music (Gosselin et al., 2006;…”
Feelings and Perceptions of Happiness and Sadness Induced by Music: Similarities, Differences, and Mixed Emotions (2010, result): “For example, when listeners are asked to group different musical excerpts based on their emotional similarity, multidimensional scaling solutions reveal a dimensional organization largely (but not completely) consistent with the model (Bigand et al., 2005).”
Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres (2011, methodology): “…uses a combination of Mozart and Haydn symphonies and Mozart quintets (Dibben, 2004), C1 has a piano concerto by Ravel, the first symphony by Mahler, and Salut d’Amour by Elgar (Gomez & Danuser, 2004), and C3 has symphonies by Wagner, Beethoven, Mendelssohn, and Shostakovitch (Bigand et al., 2005).”
Using music to induce emotions: Influences of musical preference and absorption (2008, background): “Recently, however, Bigand et al. (2005) used a multidimensional scaling approach to investigate emotional responses to listening to music.”
State of the Art Report: Music Emotion Recognition: A State of the Art Review (2010, background): “Some studies have expanded this approach to develop three-dimensional spatial metrics for comparative analysis of musical excerpts, although the semantic nature of the third dimension is subject to speculation and disagreement [17].”
Happy, sad, scary and peaceful musical excerpts for research on emotions (2008, methodology): “Recently, Bigand et al. (2005) showed that responses to a large variety of emotions were consistent when excerpts were presented for 1 s.”