Happy, sad, scary and peaceful musical excerpts for research on emotions

By S. Vieillard, Isabelle Peretz, N. Gosselin, S. Khalfa, Lise Gagnon, Bernard Bouchard. 2008

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A comparison of the discrete and dimensional models of emotion in music (2011, methodology): “[email: tuomas.eerola@jyu.fi]”
Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres (2011, background): “Sometimes the emotion induced is the same as that perceived, as these two processes bear some resemblance to each other (Evans & Schubert, 2008; Vieillard et al., 2008), but this is not always the case.”
Feelings and Perceptions of Happiness and Sadness Induced by Music: Similarities, Differences, and Mixed Emotions (2010, background): “For many studies of music and emotion (e.g., Bigand, Vieillard, Madurell, Marozeau, & Dacquet, 2005; Husain, Thompson, & Schellenberg, 2002; Khalfa, Roy, Rainville, Dalla Bella, & Peretz, 2008; Kreutz, Ott, Teichmann, Osawa, & Vaitl, 2008; Schellenberg, Nakata, Hunter, & Tamoto, 2007; Thompson, Sche”
The neuroaesthetics of music. (2013, background): “…to which dimensional models of emotion can encompass categorical emotions (Eerola & Vuoskoski, 2011; Gosselin et al., 2007; Khalfa et al., 2008; Vieillard et al., 2008), the challenge for proponents of these models is to identify the smallest number of dimensions capable of representing all…”