The musician's brain: functional imaging of amateurs and professionals during performance and imagery
By Martin Lotze, Gabriele Scheler, H. Tan, Christoph Braun, Niels Birbaumer. NeuroImage, 2003
410 citations recorded by the source corpus.
View Paper: https://www.semanticscholar.org/paper/17c9a530cd0203d19d111be82860c60574909587
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- Sylvain Moreno
- Robert J. Zatorre
- Sibylle C. Herholz
- Aymeric Guillot
- Amir Lahav
- Christian Collet
- Isabelle Peretz
- Gottfried Schlaug
Citations in the corpus
- Understanding the timing of motor imagery: recent findings and future directions (2012, background): “Neuroimaging data strongly support the existence of distinct neural processes in MI as a function of the individual skill level (Guillot, Louis & Collet, 2009 ; Lotze, Scheler, Tan, Braun, & Birbaumer, 2003 ; Milton, Small, & Solodkin, 2008 ; Ross, Tkach, Ruggieri, Lieber, & Lapresto, 2003 ).”
- Musical Training Shapes Structural Brain Development (2009, unknown): “…1998; Zatorre, 1998; Schneider et al., 2002; Gaab and Schlaug, 2003; Bermudez and Zatorre, 2005; Lappe et al., 2008), and multimodal integration areas (Münte et al., 2001; Sluming et al., 2002, 2007; Gaser and Schlaug, 2003a; Lotze et al., 2003; Bangert and Schlaug, 2006; Zatorre et al., 2007).”
- Brain organization for music processing. (2005, background): “Several neuroimaging studies (Kristeva et al. 2003, Lotze et al. 2003) have attempted to identify the neural correlates of musical performance but this has proven to be a difficult task due to its complex nature.”
- Action Representation of Sound: Audiomotor Recognition Network While Listening to Newly Acquired Actions (2007, background): “, 2006) and premotor activity (Lotze et al., 2003; Bangert et al., 2006a) during listening to a rehearsed musical piece.”
- Motor imagery. (2006, background): “…most challenging questions for future studies have already been a topic of interest in some latest investigations: imagery can provide a tool for investigating different movements which can not be investigated with brain mapping techniques using walking and running paradigms (Malouin et al., 2003).”
- Shared networks for auditory and motor processing in professional pianists: Evidence from fMRI conjunction (2006, background): “…areas to be involved in a striking variety of musical tasks: motor preparation and execution (Lotze et al., 2003; Meister et al., 2004), imagery (Lotze et al., 2003; Meister et al., 2004), music perception (Ohnishi et al., 2001; Kö lsch et al., 2002; Gaab et al., 2003; Levitin and Menon, 2003),…”
- Musical training influences linguistic abilities in 8-year-old children: more evidence for brain plasticity. (2009, background): “First, anatomo- functional differences linked to musical expertise are typically correlated with the age of onset of musical training (Elbert et al. 1995; Schlaug et al. 1995; Schlaug 2001; Amunts et al. 1997; Jancke et al. 1997, 2000; Lotze et al. 2003).”
- Musical training as a framework for brain plasticity: behavior, function, and structure. (2012, background): “…Musical performance engages a distributed motor network that is specific to the type of action, with larger recruitment of hand areas in instrumental performance such as violin or keyboard playing (Lotze et al., 2003), versus representations of the vocal tract in singing (Kleber et al., 2007).”
- Functional neuroanatomical networks associated with expertise in motor imagery (2008, background): “Until now, the only neuroimaging study that indirectly touched upon (but did not address directly) this issue comes from Lotze et al. (2003) who compared professional musicians and beginners during both MI and motor performance of a violin concerto.”