Pablo P. L. Tinio
Cognitive Neuroscience · 2013–2017
A researcher in the Science corpus: 3 papers; trusts 7 researchers and is trusted by 0 researchers here, as inferred from the citation graph.
Subfields
- Cognitive Neuroscience — 26 citations into it
- Experimental and Cognitive Psychology — 19 citations into it
- Social Psychology — 18 citations into it
- Visual Arts and Performing Arts — 8 citations into it
Whom Pablo P. L. Tinio trusts overall
Their strongest outbound trust, strongest first, inferred from their citations.
- Paul J Silvia
- Helmut Leder
- Laurent Itti
- Thomas Jacobsen
- Anjan Chatterjee
- R. Weisberg
- B. Belke
- Matthew Pelowski
Papers from Pablo P. L. Tinio's perspective
Ordered by how strongly the researchers Pablo P. L. Tinio trusts endorse each paper. Same corpus, a different order for every researcher.
- Emotional Responses to Art: From Collation and Arousal to Cognition and Emotion
- A model of aesthetic appreciation and aesthetic judgments. (British Journal of Psychology)
- Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion (Proceedings of the National Academy of Sciences of the United States of America)
- Handbook of affective sciences.
- Personality and judgements of abstract, pop art, and representational paintings
- Do People Prefer Curved Objects? Angularity, Expertise, and Aesthetic Preference
- Mind at ease puts a smile on the face: psychophysiological evidence that processing facilitation elicits positive affect. (Journal of Personality and Social Psychology)
- The Principles of Psychology
- Confusion and interest: The role of knowledge emotions in aesthetic experience.
- Applications of structural equation modeling in psychological research. (Annual Review of Psychology)
Their papers
- Time spent viewing art and reading labels. (2017) — 114 citations
- Beyond the lab: An examination of key factors influencing interaction with 'Real' and museum-based art (2017) — 104 citations
- From artistic creation to aesthetic reception: The mirror model of art (2013) — 133 citations