Learning Expressivity in Music Performance: An Exploratory Study
By R. Woody. 2000
96 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Computer Vision and Pattern Recognition, Music
View Paper: https://www.semanticscholar.org/paper/ed36a4f61fa39271cf492d2e6eb98206c6203fb4
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Patrik Juslin
- J. Karlsson
- Aaron Williamon
- Petri Laukka
- Tuomas Eerola
- A. Lamont
- Daniel Västfjäll
- Simon Liljeström
In Computer Vision and Pattern Recognition
In Music
Citations in the corpus
- Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance (2003, background): “This may explain why music students find extramusical sources (e.g. life situations) useful in developing expression (e.g. Woody, 2000).”
- Musical expression: an observational study of instrumental teaching (2008, background): “With regard to expressive skills, it has been suggested that teachers use metaphors (Barten, 1998), modeling (Dickey, 1992), focus on felt emotion (Woody, 2000), and verbal instruction (Woody, 1999) to provide feedback to their students, although the use of such feedback strategies has not been…”
- “Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity (2003, background): “Another important question is how the students initially came to consider expressivity (Woody, 2000).”