On synchronizing movements to music

By Edward W. Large. 2000

249 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Computer Vision and Pattern Recognition, Signal Processing

View Paper: https://www.semanticscholar.org/paper/e753851563e4a4756e1ac9495b6aef27a7dbd613

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Citations in the corpus

Audio Features Underlying Perceived Groove and Sensorimotor Synchronization in Music (2016, background): “Low frequencies Audio Features of Groove 29 From a musicological point of view, low frequency onsets (e.g., bass drum onsets) often mark important metrical locations (e.g., Large, 2000).”
The concept of entrainment and its significance for ethnomusicology (2004, methodology): “This analysis also applies to a network of oscillators whose frequencies span the range of musical rhythm (Large, 2000; Large & Kolen, 1994) as might exist in the central nervous system.”
Shall we dance? An exploration of the perceived benefits of dancing on well-being (2010, background): “Music appears to uplift our subjective emotional state while stimulating body movements to synchronise to the temporal structure of the perceived rhythms (e.g. Berrol, 1992; Large, 2000).”
Testing a Computational Model of Rhythm Perception Using Polyrhythmic Stimuli (2013, unknown): “In particular, they report that four beats are needed before start tapping (BST), which they suggest might typically correspond to approximately 2400 ms. Large (2000) suggests that the BST time corresponds to the amount of time needed to reach a stable limit cycle with regard to the dynamics.”
Tapping to Ragtime: Cues to Pulse Finding (2001, background): “…as these play an increased role by informing computational modeling of sensory-motor synchronization (e.g., the current data have been modeled by Large, 2000; Toiviainen & Snyder, 2000) and encouraging music analysis that more fully characterizes the musical structures on which this ability is…”
On the stability and relevance of the exercise heart rate–music-tempo preference relationship (2014, unknown): “Through entrainment theory (Thaut, 2008, pp. 39-59) and associated empirical investigation, we have gained a deeper understanding of how music affects the body’s main pulses such as brainwaves, heart rate, and respiratory rate (e.g., Khalfa et al.; Large, 2000).”
Neural correlates of rhythmic expectancy (2006, unknown): “Some oscillator models predict that a perceived metrical pattern arises from an attentional pulse that entrains to the external stimuli and targets attentional energy to expected points in time (Large & Jones, 1999; Large, 2000).”
Musical creativity and the embodied mind (2018, background): “In brief, musical systems are functionally similar with living systems and, as such, may be understood as dynamically self-organizing phenomena (Large, 2000; Large & Jones, 1999).”
What is Entrainment? Definition and applications in musical research (2012, background): “An important phenomenon at this level is the entrainment of networks of neuronal oscillators, which appear to be responsible for metrical perception (Large & Kolen, 1994; Large, 2000, 2010; London, 2004).”
Psychological, psychophysical, and ergogenic effects of music in swimming (2013, background): “The modest performance benefits observed in both music conditions may be attributable to the mechanism of rhythmic entrainment (e.g., Large, 2000; Schneider et al., 2010).”