Tapping to Ragtime: Cues to Pulse Finding

By Joel S. Snyder, Carol Krumhansl. 2001

181 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Signal Processing

View Paper: https://www.semanticscholar.org/paper/37031400e7d32b592fdd3c27c57968dedc2d653b

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Citations in the corpus

Infants Perception of Rhythmic Patterns (2006, background): “For example, adults can find the pulse and synchronize with piano ragtime music when left-hand and right-hand parts are included (Snyder & Krumhansl, 2001).”
Testing a Computational Model of Rhythm Perception Using Polyrhythmic Stimuli (2013, unknown): “In another study, the time to start tapping along with a given rhythmical stimulus was reported (Snyder & Krumhansl, 2001).”
Neural correlates of rhythmic expectancy (2006, unknown): “…a range of human rhythmic abilities such as anticipation of events (Engström et al., 1996), sensitivity to metrical structure (Large & Jones, 1999; Snyder & Krumhansl, 2001; Toiviainen & Snyder, 2003; Hannon, Snyder, Eerola & Krumhansl, 2004), and the persistence of a metrical representation…”
Interactions between auditory and dorsal premotor cortex during synchronization to musical rhythms (2006, background): “Melodic cues such as pitch can highlight important events in a rhythm, though not as effectively as a rhythm's temporal structure (Hannon et al., 2004; Pfordresher, 2003; Snyder and Krumhansl, 2001).”
Synchronization and Continuation Tapping to Complex Meters (2006, methodology): “We derived three measures of tapping performance from the tap times, including ratio of long to short intervals, variability of tap position, and mean tap position relative to the target beat (cf. Snyder & Krumhansl, 2001; Toiviainen & Snyder, 2003 ).”
When the brain plays music: auditory–motor interactions in music perception and production (2007, background): “), and is a natural behaviour even in people with no musical trainin”
Listening to musical rhythms recruits motor regions of the brain. (2008, background): “However, music can also be catalytic in stimulating rhythmic movements: people often spontaneously tap their feet or nod along, synchronizing each action with the beat of a tune, regardless of musical aptitude ( Snyder and Krumhansl 2001; Large et al. 2002).”
Tempo and Rhythm (2010, background): “ Snyder and Krumhansl (2001) showed that when participants were asked to tap to pitch-varied and monotone versions of ragtime piano music, there was very little difference in tapping performance for the two conditions.”
The Beat Alignment Test (BAT): Surveying beat processing abilities in the general population (2008, background): “Figure 1 shows the mean inter-tap interval (ITI) compared with excerpt tempo (inter-onset interval of the tactus level closest to the tapping tempo; “Tactus IOI”) for two participants.”