Morphology of Heschl's gyrus reflects enhanced activation in the auditory cortex of musicians
By Peter Schneider, M. Scherg, Hans Günter Dosch, Hans J. Specht, A. Gutschalk, A. Rupp. Nature Neuroscience, 2002
706 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience
View Paper: https://www.semanticscholar.org/paper/e0143bc439cd297548eb3231387c72b805cd64bb
How researchers see this paper
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In Cognitive Neuroscience
- Sylvain Moreno
- Aniruddh D. Patel
- Robert J. Zatorre
- Alan C. Evans
- B. Chandrasekaran
- Nina Kraus
- Sibylle C. Herholz
- Mireille Besson
Citations in the corpus
- Brain organization for music processing. (2005, methodology): “However, using a similar MEG technique, Schneider and collaborators (Schneider et al. 2002) found that both the early activity evoked by pure tones and the gray matter volume of the anteromedial portion of Heschl’s gyrus were more than 100% larger in professional musicians than in nonmusicians.”
- Transmodal Sensorimotor Networks during Action Observation in Professional Pianists (2005, neutral): “Huang, Staiger, & Steinmetz, 1995) as well as within the auditory system (Schneider et al., 2002; Pantev et al., 1998; Zatorre, Perry, Beckett, Westbury, & Evans, 1998; Schlaug, Jancke, Huang, & Steinmetz, 1995).”
- Prefrontal cortex involvement in preattentive auditory deviance detection: : neuroimaging and electrophysiological evidence (2003, background): “This view is supported by two recent MEG studies (Mathiak et al., 2002a; Schneider et al., 2002).”
- Musical Training Shapes Structural Brain Development (2009, positive): “…et al., 1995; Hund-Georgiadis and von Cramon, 1999; Schlaug, 2001; Gaser and Schlaug, 2003b), auditory areas (Pantev et al., 1998; Zatorre, 1998; Schneider et al., 2002; Gaab and Schlaug, 2003; Bermudez and Zatorre, 2005; Lappe et al., 2008), and multimodal integration areas (Münte et al.,…”
- Musician Children Detect Pitch Violations in Both Music and Language Better than Nonmusician Children: Behavioral and Electrophysiological Approaches (2006, background): “…in auditory (including Heschl’s gyrus and secondary auditory cortex), motor (central), and visuospatial (parietal) brain areas (Gaser et al., 2003; Schneider et al., 2002), as well as in the size of the corpus callosum and planum temporale (Schlaug, Jancke, Huang, & Steinmetz, 1995; Schlaug,…”
- Networks of anatomical covariance (2013, background): “…to be true of focal metrics for individual nodes or edges such as centrality, degree or strength (Rubinov and Sporns, 2010) or network-wide metrics such as efficiency (Latora and Marchiori, 2001), modularity (Schwarz et al., 2008) and communicability (Crofts and Higham, 2009; Crofts et al., 2011).”
- Musical training as a framework for brain plasticity: behavior, function, and structure. (2012, background): “Schneider et al. (2002) reported that both the volume of Heschl's gyrus and amplitude of an early MEG response originating from primary auditory cortex were largest in professional musicians and smallest in nonmusicians, and were also related to behavioral performance.”
- Music training for the development of auditory skills (2010, background): “Musicians also show structural differences in the brain relative to non-musician”
- Music, biological evolution, and the brain (2010, background): “There has been a good deal of research on structural brain differences between professional musicians and non-musicians (e.g., Elbert et al., 1995; Schneider et al., 2002; Bengtsson et al., 2005; Stewart, 2008), with recent research supporting the idea that many such differences can be explained by…”
- Brain Structures Differ between Musicians and Non-Musicians (2003, positive): “1, 2) support the results of a recent study showing higher gray matter volume in this region in musicians, which was associated with neurophysiological source activity differences between professional musicians, amateur musicians, and nonmusicians while listening to tones (Schneider et al., 2002).”
- Der Gold-MSI: Replikation und Validierung eines Fragebogeninstrumentes zur Messung Musikalischer Erfahrenheit anhand einer deutschen Stichprobe (2014, neutral): “…& Starr, 2013; Halwani, Loui, Rüber & Schlaug, 2011; Koelsch, Fritz, Schulze, Alsop & Schlaug, 2005; Oechslin, Van De Ville, Lazeyras, Hauert & James, 2013; Schneider et al., 2002, 2005; Schulze, Zysset, Müller, Friederici & Koelsch, 2010; Ungan et al., 2013; Williamson, Baddeley & Hitch, 2010).”