Speaking of Art as Embodied Imagination: A Multisensory Approach to Understanding Aesthetic Experience

By Annamma Joy, John F. Sherry. 2003

629 citations recorded by the source corpus.

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Transcendent customer experience and brand community (2007, background): “Their potential has also been documented in various kinds of creative activities (Csikszentmihalyi 1990), in the consumption of art ( Joy and Sherry 2003 ), in hotel stays (Pullman and Gross 2003), and in various kinds of Internet usage (Agarwal and Karahanna 2000; Mathwick and Rigdon 2004).”
From Trash To Treasure And Beyond: The Meaning Of Voluntary Disposition (2009, background): “…consumers’ product and experience-related acquisition behaviors (Thompson et al., 1989; Fischer and Arnold, 1990; Sherry, 1990; Otnes et al., 1997; Joy and Sherry, 2003), and negotiations of self-identity utilizing, for instance, messages imparted through branded images (McCracken, 1986; Belk,…”
Aesthetic Products and Aesthetic Consumption: A Review (2006, background): “…with a substantial visual dimension (Bamossy, Scammon, and Johnston 1982; Schindler, Holbrook, and Greenleaf 1989; Scott 1994; Schroeder 2000; Joy and Sherry 2003), rather than novels and music (Holbrook 1981, 1982, Holbrook and Schindler 1989 is an exception here) and, even less, poetry,…”
Therapeutic Servicescapes and Market-Mediated Performances of Emotional Suffering (2019, background): “Prior work on consumer embodiment illustrates that affect moves into the realm of consciousness through linguistic metaphors (Joy and Sherry 2003).”