Musical expression of emotions : Modeling listeners´ judgements of composed and performed features

By Patrik Juslin, Erik Lindström. 2010

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Current Emotion Research in Music Psychology (2015, background): “Faster pieces are judged to be happy or positive sounding, whereas slower pieces are deemed to sound sad or negative (e.g., Gagnon & Peretz, 2003; Juslin & Lindström, 2010).”
From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions. (2013, background): “Tempo (or speed) is similarly not regarded as a proper basis for aesthetic evaluation, although tempo is of course indirectly implicated in the ‘Expression’ dimension, as involved in the expression of emotion in music (Juslin & Lindström, 2010).”
Experimental evidence of the roles of music choice, social context, and listener personality in emotional reactions to music (2013, background): “However, one solution to this problem is to conduct successive replications that feature partly overlapping stimulus materials and experimental procedures to eventually cover all relevant factors and their levels (cf. Juslin & Lindström, 2011).”